The film expands the Spider-Man film universe, taking Peter Parker out of his comfort zone and his home in Queens, New York City, and hurling him across Europe during what was supposed to be a school vacation – but which becomes his greatest challenge and most epic adventure ever.
In the aftermath of a monumental battle between good and evil, which has brought Peter Parker and his friends – and billions of others – back to life, Peter continues to mourn the death of his mentor, Tony Stark, whose heroic sacrifice made Peter’s return possible. Everywhere he looks, Peter sees tributes to the fallen Avenger, which adds to his sense of loss, even as his own turbo-charged heroics leave everyone wondering if he’s the next Iron Man.
Far from home, Peter must protect his friends, save the world, rise to a challenge only he can meet, and come to terms with his destiny as Spider-Man.
The film stars Tom Holland, Samuel L. Jackson, Zendaya, Cobie Smulders, Jon Favreau, JB Smoove, Jacob Batalon, Martin Starr, with Marisa Tomei and Jake Gyllenhaal.
Spider-Man: Far From Home will be releases in cinemas on 3 July.
Playmobil gets its movie
Playmobil: The Movie is the first feature film to be based on Playmobil role-play toys, and features voices by Daniel Radcliffe and Meghan Trainor.
When Marla’s (Anya Taylor-Joy) younger brother Charlie (Gabriel Bateman) unexpectedly disappears into the magical, animated universe of Playmobil, unprepared Marla must embark on a journey to bring him home.
As she sets off on a fantastic journey across new worlds, Marla teams up with some unlikely and heroic new friends – the smooth-talking food truck driver Del (Jim Gaffigan), the dashing and charismatic secret agent Rex Dasher (Daniel Radcliffe), a misfit robot (Lino DiSalvo), and an extravagant fairy-godmother (Meghan Trainor).
Through their vibrant adventure, Marla and Charlie realise that no matter how life plays out, you can achieve anything when you believe in yourself.
This animation was directed by Lino DiSalvo, an American animator, film director, writer and voice actor, who spent almost 17 years at Disney and served as head of animation on Frozen, supervising animator on Tangled and Bolt, and animator on Meet the Robinsons, Chicken Little and 102 Dalmatians.
Playmobil: The Movie is in cinemas now.
African animation now streaming on Showmax
The animation-documentary Liyana is a pan-African collaboration co-directed by Eswatini’s Aaron Kopp, animated by Nigerian Shofela Coker, and starring South African storyteller Gcina Mhlope.
In the multi-award-winning film, legendary South African storyteller Gcina Mhlope guides five orphans in The Kingdom of Eswatini through the process of creating a story. They tell a gripping tale about a young girl, Liyana, who embarks on a dangerous quest to rescue her twin brothers – a fairytale story of perseverance drawn from their darkest memories and brightest dreams.
While the storytelling process is captured in traditional documentary style, the tale the children are telling is animated, creating a hybrid-style film.
As their real and imagined worlds begin to converge, the children must choose what kind of story they will tell — in fiction, and in their own lives.
Winner of 35 awards, including Best Documentary at Los Angeles Film Festival and the Grand Prize at New York International Children’s Film Festival, Liyana is directed by Amanda Kopp and Eswatini-born and raised Aaron Kopp, who shot the Oscar-winning documentary Saving Face and the Oscar-nominated The Hunting Ground.
“I grew up in Swaziland and will always consider it my home,” says Kopp. “In part, this film is a love letter to my childhood in that beautiful African kingdom.”
He’s known the children in the film – Zweli, Sibusiso, Phumlani, Mkhuleko, and Nomcebo – for years. “During our research period for the film, we talked to the children about their early life before they came to the orphan home and quickly realised that asking them to revisit traumatic memories in front of a camera was not the path we wished to take,” he says. “Films about the suffering of Africans in which the audience is led to feel pity or guilt have been made before. In contrast, Liyana gives our young storytellers the stage and allows them to take charge of the narrative.”
In pre-production, Aaron spent time reading about creative art therapies as well as traditional stories in Eswatini. “It soon it became clear that the use of a fictional character, created by the children, could serve as a unique window into their memories and emotions, while still ensuring some privacy,” he says. “As soon as we decided on this approach, we contacted South African storyteller and author, Gcina Mhlophe. I first saw her on stage when I was a teenager and remember being transfixed by her performance. We knew she would be the perfect guide for the children in their creative process.”
The story the children choose to tell is both inspiringly imaginative and heartbreakingly close to home, but the animation by Nigerian Shofela Coker takes it to the next level.
Shofela Coker comes from a family of artists in Lagos, but moved to the States, graduating from Memphis College of Art and working in the games industry as a character artist and art director. He was working for Sony when the Kopps headhunted him for Liyana.
“The kids’ personalities and ingenuity were inspiring and infectious,” says Coker. He watched a rough cut of the film, which convinced him to quit his job and join Liyana. “It reminded me of my childhood in Lagos, weaving stories with my siblings and improvising toys in the backyard with friends. The project seemed like such a special puzzle to solve, to help translate.”
The filmmakers didn’t want the animation to overpower the documentary scenes, so Coker says they came up with “the idea of a breathing painting that evokes the intimate feel of pop-up storybooks or shadow puppetry…” The result has been widely praised and saw Shofela nominated for Outstanding Graphic Design or Animation at Cinema Eye this year.
Liyana is executive produced by Emmy winner Thandie Newton (Westworld), produced by Oscar winner Daniel Junge (Saving Face), and edited by Davis Coombe (Chasing Coral, Chasing Ice). South African Emmy nominee Philip Miller (The Girl, Miners Shot Down) composed the score, a fusion of both Western and traditional Swazi instrumentation.