Connect with us

Arts and Entertainment

SA in finals of Midem artist accelerator

Published

on

Midem has announced the 11 finalists in the Midem Artist Accelerator (MAA), the international music career booster to fast-track talent on the world stage, and it includes three South African artists.

The 2018 finalists are: AKA (South Africa), R’n’B/hip-hop/urban; AGAR AGAR (France), pop; BEZ (Nigeria), world; BIGSTAR (South Africa), R’n’B/hip-hop/urban; CLIENT LIAISON (Australia), pop; DAMIAN LYNN (Switzerland), pop; DYLAN WILLIAMS (United Kingdom), R’n’B/hip- hop/urban; HAUTE (France), R’n’B/hip-hop/urban; HYPHEN HYPHEN (France), pop; LA DAME BLANCHE (Cuba), R’n’B/hip-hop/urban; and T$HEGO (South Africa), R’n’B/hip-hop/urban.

Home of the global music community, Midem takes place in Cannes, France, from 5 to 8 June.

Now in its fourth year, the MAA has a solid track record for bringing rising talent to a wider global audience. Following the 2017 edition, participating artists BE CHARLOTTE signed to Columbia Deutschland/Sony Music Germany while IRIS GOLD signed a global deal with Playground Music Scandinavia after being both spotted in Cannes. Another MAA alumni M.ANIFEST, has been booked for several festivals and also struck a deal with an experienced music consultant who helped him negotiate recording contracts for singles and for music placements in film.

This year’s MAA Artist Ambassador, South-African DJ and producer BLACK COFFEE will be keynoting in Cannes and sharing his know-how with the 11 hot new acts. “As Midem puts the spotlight on Africa’s bourgeoning music scene, I’m truly honoured to be this year’s Artist Ambassador of the Midem Artist Accelerator. I’m thrilled to discover the 2018 finalists and be able to share with them my own experience as an artist,” said BLACK COFFEE.

All finalists will perform live on the Midem Beach in Cannes in a series of concerts during the event, and will benefit from a tailored programme during the tradeshow, including coaching sessions and unique networking opportunities.

Discover the 11 finalists and vote for your favourite here before 6 May. The artist with the most votes will play live at the Midem 2018 Opening Night Party.

The finalists also have a unique opportunity to be recognised and mentored by a Committee of execs from UTA, Viacom, OkayAfrica & more.

The Artistic Committee of top-notch industry players for the 2018 MAA includes: Abiola Oke, CEO & Publisher, OkayAfrica (USA/Africa); Alex Okosi, Executive Vice President & Managing Director, Viacom International Media Networks Africa/BET International (Africa); Christian Bernhardt, Agent, United Talent Agency (USA); Devraj Sanyal, Managing Director & CEO, Universal Music Group South Asia/EMI Music South Asia/Enchanted Valley Carnival (India); Emmylou Prevett, Creative Content & Programming Manager, Vevo (France); Julian Marshall, Global Head of Content, Shazam (UK); Leila Cobo, Executive Director of Latin content and programming, Billboard (USA); Patrik Larsson, A&R and Label Manager, Playground Music Scandinavia (Sweden); Rob Hallett, Founder, Robomagic (UK); Willy Ehmann, Artist Manager (Germany); Yoon-Young Kong, Founder and Executive Producer, Zandari Festa (South Korea); and Yoshinari Hirayama, Promotion & Marketing Chief Manager, Creativeman (Japan).

In addition, the finalists will receive further mentoring from a pool of experts as part of their Midem experience. Among those offering mentoring services are: Data Analytics (real–time charts, playlists, airplay and social monitoring) by David Weiszfeld, Founder & CEO of Soundcharts, the Market Intelligence platform for the Music Industry; navigating the streaming services and the use of the Spotify platform with Wilbert Mutsaers, Head of Spotify Benelux, Shows and Editorial; free legal consultation from the International Association of Entertainment Lawyers (IAEL); the use of a messenger bot and fan messaging platform with Sam Taylor, COO of I AM POP. Finalists will also have access to the Global Sync and Brands Summit, the gathering of the music supervision community, and to a series of dedicated workshops around music sync and placements, digital and social media strategy, and the artist-fan relationship.

Arts and Entertainment

SA rises as Spotify turns 10

October 2018 marks 10 years since Spotify officially launched its music streaming platform and to celebrate this milestone, Spotify has taken a look at some of its biggest discoveries in music.

Published

on

Spotify provided the following information:

The service only launched in South Africa in March this year, so this country is not included in the retrospective, but Spotify supplied Gadget with the following local streaming landmarks:

·         Most streamed South African artist – Jeremy Loops

·         Most streamed female South African artist – Shekhinah

·         Highest first-day streaming record – AKA’s Beyonce

Since launch Spotify now sits at 180 million monthly active listeners across 65 countries. These Spotify users can enjoy a music library of over 40 million songs and podcasts, and over 3 billion-plus user-created playlists. As of 31 August 2018, Spotify has also paid over 10 billion euros to rights holders since launch.

To date, over 2 000 genres of music have been identified on Spotify, among them Wonky (electronic music characterised by synths with unusual time signatures), Shimmer Pop (a Swedish cousin of indie pop and indietronica), and British Blues (the blues…with a British flavour).

Spotify has also done an assessment of “listening diversity,” – the number of artists the average user streams per month – which has risen on Spotify over the past 10 years, at an average of about 8% per year. In the past three years alone, listening diversity increased about 40% on the strength of new personalised and editorial playlists – meaning people are listening to an increased number of artists on a regular basis.

An official Decade of Discovery playlist features the most-streamed songs over the past  decade, including favourites like Avicii’s “Wake Me Up,” Hozier’s “Take Me To Church,” Kendrick Lamar’s “HUMBLE.,” Rihanna’s “Work,” Sia’s “Chandelier,” Major Lazer’s “Lean On,” and the star-studded “Despacito Remix”.

Continue Reading

Arts and Entertainment

Festival taps into source code of African identity

The Fak’ugesi African Digital Innovation Festival enters its final week from 24 to 29 September with a special focus on gaming and beats. With the theme of “Tap Your Afro Source Code”, this year celebrates technology, creativity and innovation from across the African continent.

Published

on

Dr Tegan Bristow, Fak’ugesi African Digital Innovation Festival director, says that the theme centres on African visions of technology by tapping into the sources of African tradition and culture alongside technology, creativity and innovation: “This year we are exploring how local culture can move and change the future of technology. How would you understand and unpack the source code of your African identity?”

In its final week, the Fak’ugesi African Digital Innovation Festival explores music culture via the annual Beats Programme curated by WeHeartBeat, which will descend on the Tshimologong Precinct with a six-day takeover of Braamfontein’s tech hub. The program comprising of workshops, experiences and performances, facilitates the meeting of mind and spirit in an environment geared around the festival’s theme, “Tap Your Afro Source Code”.

The Fak’ugesi Beats Lab, running from the 24th to the 28th of September will host international electronic artists and explore the connection between music, technology and culture with local and international artists. The outcome from these sessions will result in an EP release, a short documentary and a live showcase performance at the Fak’ugesi Beats Bloc Party on the 29th. The artists featured in the 2018 Beats Lab are S.Fidelity (Switzerland), Zikomo (USA), Morena Leraba (Lesotho) and South African artists Bonj Mpanza  and Hlasko.

In partnership with Ballantines Whisky and Business Arts South Africa, the programme includes panels on: ‘The Future of Music’ facilitated by Tefo Mohapi from iAfrikan.com and featuring guest panellists Riky Rick and Thibaut Mullings; ‘Managing Health Amongst Creatives’ featuring psychologist Thembi Mashigo and panel guests Ayanda Seoka, Mx Blouse and more. The day will include a Masterclass with Black Milk (USA), The Art of Remixing with Zikomo(USA) and close with a ‘Power of Collaborations’ session featuring Zikomo, S.Fidelity , Morena Leraba and Bonj Mpanza.

The last week of Fak’ugesi Festival also hosts a special session on the Future of African Gaming on the 28th and 29th of September. A full day on gaming, this will take place in collaboration with Red Bull Basement and focus on the theme of Tech for Good. The programme includes an Indie Games Arcade; a ‘Games for Good’ workshop focused games that address issues in South African urban environment.

The workshop will be followed by a “Futures and Networking” session, inviting the gaming community in the Southern Africa region to contribute to an understanding of what and how the Fak’ugesi Festival can develop and better support African games. This invitation comes after Fak’ugesi Festival in 2018 says farewell to A MAZE. / Johannesburg, which has supported its program since 2013 as the gaming partner.

A MAZE, under the leadership of its creative director, Thorsten S. Wiedemann, linked the Johannesburg gaming scene to an international network of indie developers for six years from 2012 until 2017. The two-way bridge between A MAZE. / Berlin and A MAZE. / Johannesburg inspired other projects like Super Friendship Arcade in Cape Town and Glitch Face in Johannesburg and was a huge impetus in the development of the Game Design programme in the Wits School of Arts. When the Fak’ugesi Festival was established in 2013, A MAZE fell under Fak’ugesi Festival support as the gaming partner. Weidemann added: “It’s been amazing meeting, working and learning from the local and national game and playful media community.  We definitely made history together.”

The week’s activities culminate in a celebration at the Fak’ugesi Beats Bloc Party   on Saturday 29 September. This event will reignite the energy and spirit created at the inaugural party in a union of performance, music, technology and digital innovation. The Bloc Party aims to showcase the best in underground talent, both local and international – etching its name in the cultural textbooks as an inspiration to future generations of creators, producers and innovators. The second instalment of this ground-breaking event will host performances from the Beats Lab participants, as well as Black Milk and a strong local contingent including Langa Mavuso, Mx Blouse, Symatics + Ramz, and Micr.Pluto.

Tickets for Thursday 27 September are R50 per session and can be purchased via WeHeartBeat. There will be a limited run of R200 student tickets available for Fak’ugesi Beats Bloc Party, upon presentation of a valid student ID. Workshop and student tickets can be purchased throughout the week at the reception of the Tshimologong Precinct.

Continue Reading

Trending

Copyright © 2018 World Wide Worx