Metals are the fastest-growing segment of 3D printing, with printer sales growing at 48% and material sales growing at 32%, writes RACHEL GORDON, Technology Analyst at IDTechEx
Plastic 3D printing has its place in prototyping and education, but 3D printing in metal is being used to manufacture parts in a wide variety of industries. Metals are the fastest-growing segment of 3D printing, with printer sales growing at 48% and material sales growing at 32%, according to the brand new IDTechEx report 3D Printing of Metals 2015-2025.
Adoption by high-value low-volume industries
Because of the current speed, size and cost limitations, the high value, low volume industries such as aerospace and biomedical, have been the earliest adopters. GE Aviation are investing $3.5bn in new plant to house EOS M-280 printers to print 100,000 fuel nozzles by 2020. Arcam claim their 3D printers had been used to manufacture over 50,000 orthopaedic implants so far. Both these industries demand titanium alloys, giving them a market share of 31% by volume. Aerospace is also heavily investing in cobalt alloys, nickel alloys and aluminium alloys.
Jewellers are also early adaptors of SLM technologies. There are many reasons jewellers are able to quickly adopt the technology; there are no qualifying standards for jewellery; jewellery designers are already good at CAD; they are used to subcontracting; they are skilled in finishing and polishing; they used to making bespoke items; and they crave design freedom and unusual designs. The jewellery industry is driving 3D printing in precious metals, with gold powder having a 49% market share by revenue.
More and more industries are adopting 3D printing
Dental suppliers, Argen Digital, offers metal substructures to make copings and bridges with the same properties as cast parts. Siemens are producing blades for gas turbines for power generation. NASA have said that they intend to 3D print 80-100% of their rocket engines in the future.
Wide range of technologies, alloys and applications
3D Printing of Metals 2015-2025 (www.IDTechEx.com/3dmetals) covers the full range of metal 3D printing equipment including selective laser melting, electron beam melting, blown powder, metal + binder, welding and other emerging technologies…using a wide range of precious metals and engineering alloys including aluminium, cobalt alloys, nickel alloys, steels, nitinol, gold, platinum and many more…in a variety of industries including aerospace, automotive, dental, jewellery, oil and gas, orthopaedics, printed electronics and tooling.
Worldwide forecasts of equipment and materials to 2025
The report includes a very detailed breakdown by company and technology of the worldwide 3D printer sales during 2014 and installed base at the end of 2014. The properties of all commercially available 3D metal printers are mapped by speed, volume, precision, and price. Powder shipments in 2014 by volume and revenue are detailed. Forecasts to 2025 are for the total installed base, printer shipments each year, printer prices, revenue from printer sales, and metal powder sales split by volume and revenue.
The information has been gathered by IDTechEx analysts from 29 formal interviews (included as profiles) and many informal conversations, since we started tracking the 3D printing market. However, this is the first time all the information on equipment, materials and applications related to metal 3D printing has been clearly displayed in one report.
This report is valuable to anyone involved in equipment or materials for metal 3D printing, developing the technology for new applications or concerned about the impact on the aerospace, automotive, dental, jewellery, oil and gas, orthopaedics, printed electronics, tooling and general engineering industries.
Welcome to world of 2099
The world of 2099 will be unrecognisable from the world of today, but it can be predicted, says one visionary. ARTHUR GOLDSTUCK met him in Singapore.
Futuristic structures tower over the landscape. Giant, alien-looking trees light up with dazzling colours amid the hundreds of plant species that grow up their trunks. Cosmetic stores sell their wares via public touch-screens, with products delivered instantly in drawers below the screens.
This is not a vision of the future. It is a sample of Singapore today. But it is also an inkling of the world we may all experience in the future.
Singapore was the venue, last week, of the World Cities Summit, where engineers, politicians, investors and visionaries rubbed shoulders as they talked about the strategies and policies that would enhance urban living in the future.
As part of the Summit, global payment technologies leader Mastercard hosted a small media briefing by one of Singapore’s leading thinkers about the future, Dr Damian Tan, managing director of Vickers Venture Partners. The company’s slogan “We invest in the extraordinary,” offers a small clue to Tan’s perspective.
“We look as far forward as 2099 because, as a venture capital firm, we invest in the long term,” he tells a group of journalists from Africa and the Middle East. “Companies explode in growth because there is value in the future. If there is no growth, they won’t explode.”
The big question that the Smart Cities Summit and Mastercard are trying to help answer is, what will cities look like in the year 2099? Tan can’t give an exact answer, but he offers a framework that helps one approach the question.
“If you want to look at 81 years into the future, and understand the change that will come, you need to double that amount and look into the past. That takes us to 1856. The difference between then and now is the difference you can expect between now and 2099.”
Click here or on the page link below to read on: Page 2: Soldiers and Health in 2099.
- Arthur Goldstuck is founder of World Wide Worx and editor-in-chief of Gadget.co.za. Follow him on Twitter on @art2gee and on YouTube
Street art goes electric
Kaspersky Lab and British street artist D*Face have unveiled the first-ever “art helmet” design at the Formula E finale for electric cars in New York.
The ‘Save The World’ helmets will be raced by DS Virgin Racing’s drivers, Sam Bird and Alex Lynn, as they traverse the New York street circuit during the final races of the Formula E season.
The announcement signals the first art helmet by a Formula E team, continuing the heritage of art in motorsport and the cybersecurity brand’s commitment to contemporary art, creativity and innovation. D*Face took inspiration from Kaspersky Lab’s tagline, “A Company To Save The World”, and hopes that his colourful work will inspire people to take positive action.
D*Face will announce his first-ever art car design with a custom-made livery for the DS Virgin Racing Team. Its design will be released at the “Art Goes Green” event after Saturday’s race. The helmets and art car are the latest installations in the “Save the World” collection, following a major permanent public mural that was installed in Brooklyn, New York, in May.
D*Face, whose real name is Dean Stockton, said: “It is exciting to work with Kaspersky Lab on this project and create art with a real message of hope for a better future. After all, this is our world and we need to look after it. It will take every one of us to make a real lasting, impactful change. I love the mentality of the DS Virgin Racing Team and that of Formula E by showcasing sport in a way that doesn’t harm the environment, but is still just as exhilarating and fun.
“It is time for us all to stand together and make a change… be that stopping data steals, climate change, plastic waste or using damaging fuels. I want everyone to make a pledge to do one thing that will help make a change.”
As a sponsor of DS Virgin Racing Team, Kaspersky Lab is responsible for protecting the team’s devices against cyber threats. The company sees the technical environment in the global sport of Formula E as the next frontier in furthering its research and development of new technologies to keep vehicles secure in the digital world.
Sylvain Filippi, Managing Director at DS Virgin Racing, said: “The whole team fully supports this great initiative and our thanks got to Kaspersky and D*Face for their collaboration. It’s an honour to have such an innovative artist bring his talents to bear in our team ahead of the season-finale; the car, drivers’ crash helmets and mural all look amazing.”
Aldo Fucelli Pessot del Bo, Head of Global Partnerships and Sponsorships at Kaspersky Lab added: “There is a need for innovation on a global scale, both in contemporary art and in the fast-growing sport of Formula E. Now, for the first time ever, Kaspersky Lab is proudly bringing together the two sectors in an effort to Save the World and unleash creativity, encourage freedom of expression and further innovation.”