The Fak’ugesi African Digital Innovation Festival, taking place from 19 August to 3 September 2016, will not only celebrate digital art and its impact on culture, but will also shine a light on the role women play in digital arts.
With its Afro Tech Riot theme, festival organiser, Tegan Bristow, says that this year’s line-up will illustrate how creativity and technology are becoming more mainstream and the important role women are playing in this space: “We are very proud of the line-up of women this year. The successful engagement of arts, culture, creativity and technology by women is inspiring, and worthy of a spotlight at this year’s Fak’ugesi festival.”
Taking place at The Tshimologong Precinct in Braamfontein, Bristow adds: “I have several incredible women collaborating with us this year to showcase the possibilities within culture and technology: Janine Johnston, national coordinator of the Maker Library Network in South Africa who is working with the British Council to bring a host of free maker workshops to the festival; Kerry Friend, executive creative director, Isobar, is working with teams of musicians and technologists, including female performer Lindiwe Matshikiza, for the Festival’s “Future Sounds” project; and Thato Noinyane, project manager, British Council Connect ZA who bring us the Festival’s Market Hack and Soweto Pop Up projects among many other activities. They have all assisted in developing an exciting, and much, needed focus on women in digital arts.”
An exciting element of the festival is the Artist Residency and this year will also feature the talents of two up-and-coming African women: Vuyi Chaza and Regina Kgatle.
Chaza wants to create spaces and opportunities where women in Zimbabwe can pursue a career in digital arts: “This is not only about growing the art form, but more importantly for Chaza, it is about shaping the narrative surrounding women in Zimbabwe.”
For Regina Kgatle digital arts is a way in which she can use games to educate people no matter where they live or what school they go to. She is the founder of Educade and a non-profit start-up called 67games, which is how Kgatle reaches schools around South Africa. She is one of the Mail & Guardians top 200 Young people and has been nominated for the African Alliance award by the United Nations.
The Festival will host with Women in Tech ZA a special Festival focused networking session on the evening of the 25th of August as part of its Fak’ugesi Talks program, book online to join.
Adding some international flavour to lineup is London-based digital artist Valentina Floris and immersive filmmaker Karen Palmer from SDNA, who will not only share how they are breaking boundaries in their mediums, but explore the intersections between technology, creativity and innovation.
“We are both excited and honoured to feature these collaborations. The festival aims to be a location for both development and celebration of technology and culture in Africa,” says Bristow.
Janine Johnston is a creative consultant, with more than 10years experience in skills development, sustainable design and in facilitating international exchange programs. A passionate ambassador for the South African maker movement, Johnston is the national coordinator of the Maker Library Network in South Africa. She is the managing partner of JA JA Consulting, a boutique agency, specializing in strategic communication, event production and creative project management.
Kerry currently works at a digital agency, Isobar, as an Exec Creative Director and heads up their innovation programme, NowLab. She’s also part of a collective, Create Africa, who run workshops and events at the intersection of tech, culture and education. As a member of the IAB Agency Council she currently drives the Innovation Programme, which aims to encourage agencies to explore new ways of working and thinking as they seek to reinvent themselves to stay relevant in the age of digital transformation.
Is an artist who uses theatre making tools to extend into film, music and various other disciplines. She is interested in work that is collaborative, process-driven and experimental. A performer, director and writer, she has initiated projects such as The Donkey Child – a devised theatre piece involving 40 players of all ages – in collaboration with Hillbrow Theatre Project, and JHB MASSIVE: Jozi <-> Accra, a temporary collective of 15 artists that combined forces to get to Chale Wote Street Art Festival in James Town, Accra.
Currently offering her skills as a Project Manager for the British Council Connect ZA team, her career started after completing a BA degree in Audiovisual Production Management where she worked in the film and television industry. She has over 8 years’ experience managing projects from conception right through to delivery and has worn a few hats along the way including director, event manager, scriptwriter, social media/content manager and mentor. She has since ventured into managing projects focused around youth empowerment particularly in the creative and digital space. She is interested in this rapidly growing industry and excited to be part of a team which works along partners who are pioneers in the sector.
Vuyi Chaza is a 24-year-old woman from Zimbabwe. She wants to live in a world where video games and cartoon watching are mandatory subjects at school, and extra cheesy pizza becomes a staple food in her country. As a self-proclaimed, amateur designer, she’s been designing officially for one year and has her designs on billboards, publications, books and album covers.
When she’s not trying to navigate the choppy waters of freelancing/starting a business, she creates weird art pieces that leave people either scratching their heads or jaws dropped in fascination. Vuyi hopes to create spaces and opportunities where women in Zimbabwe can pursue a career in digital arts, while shaping the narrative surrounding women and Zimbabwe.
Regina Kgatle is the founder and MD of Educade [http://educade.co.za/], and its sister non-profit startup, 67games. An Electrical and Computer Engineering student (University of Cape Town, Honors) she believes we can use games to educate people no matter where they come from or where they go to school. At Educade, Regina focuses on designing and building educational games based on The Promise Curriculum, installing them on custom stand-up arcades that can be taken on the road to South African schools. 67games engages continues this mission by engaging with developers from around the world to create new games for these cabinets, which are then promoted throughout South Africa by means of game pop up installations.
For her efforts, Regina has received national and international awards – listed as Mail & Guardian’s top 200 Young people contributing to bettering the quality of life for South Africans, nominated for the African Alliance award by the UN. In 2014 Facebook flew her to the US together with other 24 young students worldwide to receive an award for changing lives through technology. She has recently been honored with “Amplifying new voices” award from Oculus.
Valentina is a London based digital artist. After moving from Italy in 1994, she studied Mixed Media Art at the University of Westminster where she graduated in 1997. During that time, she started to experiment with audio visual techniques and site specific installations. In 1997 she co-founded Luna Nera, an artist-curator organisation that aimed to stimulate interest in the environmental and architectural heritage of localities. By asking the audience to re-look at sites in a new way, Luna Nera addressed a series of issues around ideas of society, community, history, memory and public space. In 2001 she started to work with Ben Foot and co funded SDNA, a creative studio based in London producing distinctive digital artwork.
SDNA’s objective is to explore techniques of interaction within public spaces, using emerging technologies and unusual presentation media. Their interdisciplinary approach, integrating site-responsive installation and live performance, aims to widen the scope of digital art.
Summer 2016 Karen was a Speaker at Tedx Australia at the Sydney Opera House, at Games for Change Festival New York and an invited guest on a International Women Think Tank working in new media Mutek Festival Cannada. Prior she was also a keynote speaker at DiGRA 2015 The World’s leading Academic Digital Games Conference in Germany. Her recent neurogaming parkour installation SYNCSELF 2 was a key exhibit at the prestigious Sheffield Film Festival 2015. In conjunction with being a Panel Speaker on Neuroscience in Gaming. She discussed the SYNCSELF 2 Neurogame that recreates the process of transcending fear. This is an interactive parkour film experience which is controlled by the user’s mental focus. There was a very favourable article in The Guardian on Karen and the impact of her work. Initially SYNCSELF 2 was exhibited at the V&A as part of the Digital Design Weekend (Sept 2014), and discussed her journey to the V&A at the WOW Talks series at the Apple Store Regent Street. Previously her work received exposure and critical acclaim at Festivals and Galleries Internationally. 2015 she spoke on her unique form of Storytelling and Tech at various renowned institutions such as The Watershed Bristol, Uppsala University Sweden and Conducttr Transmedia Conference to name a few.
Smart home arrives in SA
The smart home is no longer a distant vision confined to advanced economies, writes ARTHUR GOLDSTUCK.
The smart home is a wonderful vision for controlling every aspect of one’s living environment via remote control, apps and sensors. But, because it is both complex and expensive, there has been little appetite for it in South Africa.
The two main routes for smart home installation are both fraught with peril – financial and technical.
The first is to call on a specialist installation company. Surprisingly, there are many in South Africa. Google “smart home” +”South Africa”, and thousands of results appear. The problem is that, because the industry is so new, few have built up solid track records and reputations. Costs vary wildly, few standards exist, and the cost of after-sales service will turn out to be more important than the upfront price.
The second route is to assemble the components of a smart home, and attempt self-installation. For the non-technical, this is often a non-starter. Not only does one need a fairly good knowledge of Wi-Fi configuration, but also a broad understanding of the Internet of Things (IoT) – the ability for devices to sense their environment, connect to each other, and share information.
The good news, though, is that it is getting easier and more cost effective all the time.
My first efforts in this direction started a few years ago with finding smart plugs on Amazon.com. These are power adaptors that turn regular sockets into “smart sockets” by adding Wi-Fi and an on-off switch, among other. A smart lightbulb was sourced from Gearbest in China. At the time, these were the cheapest and most basic elements for a starter smart home environment.
Via a smartphone app, the light could be switched on from the other side of the world. It sounds trivial and silly, but on such basic functions the future is slowly built.
Fast forward a year or two, and these components are available from hundreds of outlets, they have plummeted in cost, and the range of options is bewildering. That, of course, makes the quest even more bewildering. Who can be trusted for quality, fulfilment and after-sales support? Which products will be obsolete in the next year or two as technology advances even more rapidly?
These are some of the challenges that a leading South African technology distributor, Syntech, decided to address in adding smart home products to its portfolio. It selected LifeSmart, a global brand with proven expertise in both IoT and smart home products.
Equally significantly, LifeSmart combines IoT with artificial intelligence and machine learning, meaning that the devices “learn” the best ways of connecting, sharing and integrating new elements. Because they all fall under the same brand, they are designed to integrate with the LifeSmart app, which is available for Android and iOS phones, as well as Android TV.
Click here to read about how LifeSmart makes installing smart home devices easier.
Matrics must prepare for AI
By Vian Chinner, CEO and founder of Xineoh.
Many in the matric class of 2018 are currently weighing up their options for the future. With the country’s high unemployment rate casting a shadow on their opportunities, these future jobseekers have been encouraged to look into which skills are required by the market, tailoring their occupational training to align with demand and thereby improving their chances of finding a job, writes Vian Chinner – a South African innovator, data scientist and CEO of the machine learning company specialising in consumer behaviour prediction, Xineoh.
With rapid innovation and development in the field of artificial intelligence (AI), all careers – including high-demand professions like engineers, teachers and electricians – will look significantly different in the years to come.
Notably, the third wave of internet connectivity, whereby our physical world begins to merge with that of the internet, is upon us. This is evident in how widespread AI is being implemented across industries as well as in our homes with the use of automation solutions and bots like Siri, Google Assistant, Alexa and Microsoft’s Cortana. So much data is collected from the physical world every day and AI makes sense of it all.
Not only do new industries related to technology like AI open new career paths, such as those specialising in data science, but it will also modify those which already exist.
So, what should matriculants be considering when deciding what route to take?
For highly academic individuals, who are exceptionally strong in mathematics, data science is definitely the way to go. There is, and will continue to be, massive demand internationally as well as locally, with Element-AI noting that there are only between 0 and 100 data scientists in South Africa, with the true number being closer to 0.
In terms of getting a foot in the door to become a successful data scientist, practical experience, working with an AI-focused business, is essential. Students should consider getting an internship while they are studying or going straight into an internship, learning on the job and taking specialist online courses from institutions like Stanford University and MIT as they go.
This career path is, however, limited to the highly academic and mathematically gifted, but the technology is inevitably going to overlap with all other professions and so, those who are looking to begin their careers should take note of which skills will be in demand in future, versus which will be made redundant by AI.
In the next few years, technicians who are able to install and maintain new technology will be highly sought after. On the other hand, many entry level jobs will likely be taken care of by AI – from the slicing and dicing currently done by assistant chefs, to the laying of bricks by labourers in the building sector.
As a rule, students should be looking at the skills required for the job one step up from an entry level position and working towards developing these. Those training to be journalists, for instance, should work towards the skill level of an editor and a bookkeeping trainee, the role of financial consultant.
This also means that new workforce entrants should be prepared to walk into a more demanding role, with more responsibility, than perhaps previously anticipated and that the country’s education and training system should adapt to the shift in required skills.
The matric classes of 2018 have completed their schooling in the information age and we should be equipping them, and future generations, for the future market – AI is central to this.