A short film that was partly animated by Cape Town’s Triggerfish has been nominated for an Academy Award. Revolting Rhymes is one of five films nominated for an Oscar in the Best Animated Short Film category at the 90th edition of the Oscars.
Directed by Jakob Schuh (Oscar-nominated for The Gruffalo) and Jan Lachauer (Oscar-nominated for Room on the Broom) and co-directed by Bin Han To, produced by Martin Pope and Michael Rose, Revolting Rhymes is an adaptation of Roald Dahl and Quentin Blake’s classic book of surprising fairy tales.
Produced by Magic Light Pictures, Revolting Rhymes was animated at Magic Light’s Berlin studio and Cape Town’s Triggerfish. It’s voiced by a stellar cast that includes Dominic West (The Affair) as The Wolf; Rose Leslie (Game of Thrones) as Red Riding Hood; and Gemma Chan (Humans) as Snow White.
“We’re beside ourselves right now, and just incredibly happy,” say Schuh and Lachauer. “Happy for the film and happy for all our fantastic collaborators here in Berlin, our producers at Magic Light, as well as our wonderful team in South Africa. It’s a pretty unreal feeling to find your labour of love has been recognised in this way. We’re deeply grateful to the Academy for this nomination. This was a hard film to make. What always steered us forward was the level of love our team had for this story – and the blessings we received from Luke Kelly, Roald Dahl’s grandson, and from the great Quentin Blake. So, for everyone’s work to receive such love in return today, it’s the most beautiful reward.”
The synopsis of the movie on the Academy Awards site (http://oscar.go.com) tells this tale: “The Wolf from the fairy tale ‘Little Red Riding Hood’ reveals the true and twisted story of his adventures and those of other characters in his world, including Snow White, Cinderella and Jack, the climber of beanstalks.”
Revolting Rhymes has already won nine major international awards: the Cristal at Annecy in France, the world’s premiere animation festival; Best Animation at the BAFTA Children’s Awards; two awards at the European Animation Awards; Best Animated Short at TIFF Kids; Best Animation at the World Banff Media Festival in Canada; Best Storytelling at Shanghai International Film and TV Festival in China; the Children’s Jury prize at the Chicago International Children’s Film Festival and the Audience Award at Filmfest Munchen.
Revolting Rhymes is also nominated for a prestigious Annie Award on 3 February 2018 in Los Angeles; a British Animation Award on 15 March in London; and an International Emmy Kids Award, which will be presented in April 2018.
“Congrats to Jakob, Jan, Bini and the amazing team at Magic Light; it was such an honour to watch and learn from them,” says Mike Buckland, head of production at Triggerfish. “We also feel immense gratitude towards our insanely hard-working, generous and talented crew, who fully deserve this recognition that their work stands up there with the best in the world. We’re hoping Revolting Rhymes‘ success will inspire many more Africans to enter the animation industry, which is growing rapidly here but still not fast enough to keep up with demand. And we can’t wait for South African audiences to finally be able to see Revolting Rhymes when it comes to Showmax in the near future.”
Magic Light Pictures’ third collaboration with Triggerfish, The Highway Rat, premiered on BBC One this Christmas, achieving total audience ratings of 6.0 million viewers and 31.2% share for the Christmas Day premiere, making it the eighth most-watched programme of the day. An adaptation of Julia Donaldson and Axel Scheffler’s bestseller, The Highway Rat is a swashbuckling tale of bandits and biscuits the whole family will enjoy. David Tennant (Doctor Who, Broadchurch) leads an impressive cast in the title role.
Following the success of The Highway Rat, BBC ONE and Magic Light Pictures have announced that an animated adaptation of Donaldson and Scheffler’s Zog is set for BBC One this coming Christmas.
Zog is about a loveable young dragon finding his way in a magical, yet challenging world. The animated half hour is being directed by Max Lang, Oscar-nominated director of Room on the Broom and The Gruffalo, and by South African Daniel Snaddon, co-director of Stick Man. The film is being produced by Michael Rose and Martin Pope of Magic Light Pictures, with animation services again being provided by Triggerfish Animation in Cape Town.
Zog was first published in 2010 by Alison Green Books (an imprint of Scholastic). It won the Galaxy National Children’s Book of the Year Award and has sold over 1.5 million copies. For the fourth year running, Donaldson is the UK’s number one bestselling author (across children’s and adult books). Donaldson and Scheffler are the UK’s number one picture book pair.
Check out the Revolting Rhymes trailer under Gadget’s Video of the Day.
SA rises as Spotify turns 10
October 2018 marks 10 years since Spotify officially launched its music streaming platform and to celebrate this milestone, Spotify has taken a look at some of its biggest discoveries in music.
Spotify provided the following information:
The service only launched in South Africa in March this year, so this country is not included in the retrospective, but Spotify supplied Gadget with the following local streaming landmarks:
· Most streamed South African artist – Jeremy Loops
· Most streamed female South African artist – Shekhinah
· Highest first-day streaming record – AKA’s Beyonce
Since launch Spotify now sits at 180 million monthly active listeners across 65 countries. These Spotify users can enjoy a music library of over 40 million songs and podcasts, and over 3 billion-plus user-created playlists. As of 31 August 2018, Spotify has also paid over 10 billion euros to rights holders since launch.
To date, over 2 000 genres of music have been identified on Spotify, among them Wonky (electronic music characterised by synths with unusual time signatures), Shimmer Pop (a Swedish cousin of indie pop and indietronica), and British Blues (the blues…with a British flavour).
Spotify has also done an assessment of “listening diversity,” – the number of artists the average user streams per month – which has risen on Spotify over the past 10 years, at an average of about 8% per year. In the past three years alone, listening diversity increased about 40% on the strength of new personalised and editorial playlists – meaning people are listening to an increased number of artists on a regular basis.
An official Decade of Discovery playlist features the most-streamed songs over the past decade, including favourites like Avicii’s “Wake Me Up,” Hozier’s “Take Me To Church,” Kendrick Lamar’s “HUMBLE.,” Rihanna’s “Work,” Sia’s “Chandelier,” Major Lazer’s “Lean On,” and the star-studded “Despacito Remix”.
Festival taps into source code of African identity
The Fak’ugesi African Digital Innovation Festival enters its final week from 24 to 29 September with a special focus on gaming and beats. With the theme of “Tap Your Afro Source Code”, this year celebrates technology, creativity and innovation from across the African continent.
Dr Tegan Bristow, Fak’ugesi African Digital Innovation Festival director, says that the theme centres on African visions of technology by tapping into the sources of African tradition and culture alongside technology, creativity and innovation: “This year we are exploring how local culture can move and change the future of technology. How would you understand and unpack the source code of your African identity?”
In its final week, the Fak’ugesi African Digital Innovation Festival explores music culture via the annual Beats Programme curated by WeHeartBeat, which will descend on the Tshimologong Precinct with a six-day takeover of Braamfontein’s tech hub. The program comprising of workshops, experiences and performances, facilitates the meeting of mind and spirit in an environment geared around the festival’s theme, “Tap Your Afro Source Code”.
The Fak’ugesi Beats Lab, running from the 24th to the 28th of September will host international electronic artists and explore the connection between music, technology and culture with local and international artists. The outcome from these sessions will result in an EP release, a short documentary and a live showcase performance at the Fak’ugesi Beats Bloc Party on the 29th. The artists featured in the 2018 Beats Lab are S.Fidelity (Switzerland), Zikomo (USA), Morena Leraba (Lesotho) and South African artists Bonj Mpanza and Hlasko.
In partnership with Ballantines Whisky and Business Arts South Africa, the programme includes panels on: ‘The Future of Music’ facilitated by Tefo Mohapi from iAfrikan.com and featuring guest panellists Riky Rick and Thibaut Mullings; ‘Managing Health Amongst Creatives’ featuring psychologist Thembi Mashigo and panel guests Ayanda Seoka, Mx Blouse and more. The day will include a Masterclass with Black Milk (USA), The Art of Remixing with Zikomo(USA) and close with a ‘Power of Collaborations’ session featuring Zikomo, S.Fidelity , Morena Leraba and Bonj Mpanza.
The last week of Fak’ugesi Festival also hosts a special session on the Future of African Gaming on the 28th and 29th of September. A full day on gaming, this will take place in collaboration with Red Bull Basement and focus on the theme of Tech for Good. The programme includes an Indie Games Arcade; a ‘Games for Good’ workshop focused games that address issues in South African urban environment.
The workshop will be followed by a “Futures and Networking” session, inviting the gaming community in the Southern Africa region to contribute to an understanding of what and how the Fak’ugesi Festival can develop and better support African games. This invitation comes after Fak’ugesi Festival in 2018 says farewell to A MAZE. / Johannesburg, which has supported its program since 2013 as the gaming partner.
A MAZE, under the leadership of its creative director, Thorsten S. Wiedemann, linked the Johannesburg gaming scene to an international network of indie developers for six years from 2012 until 2017. The two-way bridge between A MAZE. / Berlin and A MAZE. / Johannesburg inspired other projects like Super Friendship Arcade in Cape Town and Glitch Face in Johannesburg and was a huge impetus in the development of the Game Design programme in the Wits School of Arts. When the Fak’ugesi Festival was established in 2013, A MAZE fell under Fak’ugesi Festival support as the gaming partner. Weidemann added: “It’s been amazing meeting, working and learning from the local and national game and playful media community. We definitely made history together.”
The week’s activities culminate in a celebration at the Fak’ugesi Beats Bloc Party on Saturday 29 September. This event will reignite the energy and spirit created at the inaugural party in a union of performance, music, technology and digital innovation. The Bloc Party aims to showcase the best in underground talent, both local and international – etching its name in the cultural textbooks as an inspiration to future generations of creators, producers and innovators. The second instalment of this ground-breaking event will host performances from the Beats Lab participants, as well as Black Milk and a strong local contingent including Langa Mavuso, Mx Blouse, Symatics + Ramz, and Micr.Pluto.
Tickets for Thursday 27 September are R50 per session and can be purchased via WeHeartBeat. There will be a limited run of R200 student tickets available for Fak’ugesi Beats Bloc Party, upon presentation of a valid student ID. Workshop and student tickets can be purchased throughout the week at the reception of the Tshimologong Precinct.