The last of Earth’s survivors after an alien annihilation need to wonder the mysterious Mira planet while fighting the hostile wildlife. Players need to team up and develop strategies to watch out for each other.
When the Earth is destroyed by a mysterious alien race, the last of humanity escapes and crash-lands on the mysterious planet Mira. Facing the threat of extinction, players must survive the perils of their new home in Xenoblade Chronicles X, an RPG set in a massive open world just waiting to be explored in-depth, releasing exclusively on the Wii U on 4 December.
In this new RPG from the creators of Xenoblade Chronicles, players can create their own character and explore a planet five times bigger than the world in Xenoblade Chronicles. A rich variety of hostile wildlife makes Mira an inhospitable place, and players will need to master a deeply strategic real-time battle system to survive.
During combat, your avatar can switch between different battle classes that allow them to become more adept at long-range or close-quarters combat, as well as issue tactical orders to up to three AI partners. Party members will also advise players on when to use special skills, known as Arts, to boost their allies or blast away foes. Each class has access to different Arts, and strategic use of these can be instrumental in turning the tide of the battle.
Outside of combat, players can focus on the necessities of exploration and survival by taking jobs in eight different divisions. Those who want to focus on discovering the massive, open environments and scavenge for new materials can take a job as a Curator, while joining the Harriers will allow players to concentrate primarily on defeating the dangerous monsters that roam the landscape. Another choice, Outfitters, spend the bulk of their time helping to develop the giant weaponised mechs known as Skells. Eventually, players will be able to pilot the Skell themselves, allowing access to places they couldn’t find before, providing even more possibilities for exploration.
By using the Wii U GamePad, players can access the navigation system, which displays a hexagonal map grid to plot the course ahead to avoid ambushes from giant monsters, uncover new resources, and fast-travel between previously discovered locations. The game can also be played on the GamePad screen alone.
Xenoblade Chronicles X brings the series online for the first time, making it possible to team up and take on co-operative missions as a party of four. Players can also join a party of up to 32 asynchronous characters with whom they can trade items and weapons, even if they are not battling together. In addition, avatars created by other players can be recruited into your team as AI party members, providing you with even more avenues for strategy in the midst of battle.
Explore humanity’s final frontier in Xenoblade Chronicles X for the Wii U, as it launches across Europe and South Africa on 4th December. The game will also be available as a bundle with a Wii U Premium Pack console and as a Limited Edition. Users who purchase Xenoblade Chronicles on Nintendo eShop on Wii U will be eligible for a R130 discount on Xenoblade Chronicles X if they buy it on Nintendo eShop on the same Wii U console before 18th December 2015.
SA rises as Spotify turns 10
October 2018 marks 10 years since Spotify officially launched its music streaming platform and to celebrate this milestone, Spotify has taken a look at some of its biggest discoveries in music.
Spotify provided the following information:
The service only launched in South Africa in March this year, so this country is not included in the retrospective, but Spotify supplied Gadget with the following local streaming landmarks:
· Most streamed South African artist – Jeremy Loops
· Most streamed female South African artist – Shekhinah
· Highest first-day streaming record – AKA’s Beyonce
Since launch Spotify now sits at 180 million monthly active listeners across 65 countries. These Spotify users can enjoy a music library of over 40 million songs and podcasts, and over 3 billion-plus user-created playlists. As of 31 August 2018, Spotify has also paid over 10 billion euros to rights holders since launch.
To date, over 2 000 genres of music have been identified on Spotify, among them Wonky (electronic music characterised by synths with unusual time signatures), Shimmer Pop (a Swedish cousin of indie pop and indietronica), and British Blues (the blues…with a British flavour).
Spotify has also done an assessment of “listening diversity,” – the number of artists the average user streams per month – which has risen on Spotify over the past 10 years, at an average of about 8% per year. In the past three years alone, listening diversity increased about 40% on the strength of new personalised and editorial playlists – meaning people are listening to an increased number of artists on a regular basis.
An official Decade of Discovery playlist features the most-streamed songs over the past decade, including favourites like Avicii’s “Wake Me Up,” Hozier’s “Take Me To Church,” Kendrick Lamar’s “HUMBLE.,” Rihanna’s “Work,” Sia’s “Chandelier,” Major Lazer’s “Lean On,” and the star-studded “Despacito Remix”.
Festival taps into source code of African identity
The Fak’ugesi African Digital Innovation Festival enters its final week from 24 to 29 September with a special focus on gaming and beats. With the theme of “Tap Your Afro Source Code”, this year celebrates technology, creativity and innovation from across the African continent.
Dr Tegan Bristow, Fak’ugesi African Digital Innovation Festival director, says that the theme centres on African visions of technology by tapping into the sources of African tradition and culture alongside technology, creativity and innovation: “This year we are exploring how local culture can move and change the future of technology. How would you understand and unpack the source code of your African identity?”
In its final week, the Fak’ugesi African Digital Innovation Festival explores music culture via the annual Beats Programme curated by WeHeartBeat, which will descend on the Tshimologong Precinct with a six-day takeover of Braamfontein’s tech hub. The program comprising of workshops, experiences and performances, facilitates the meeting of mind and spirit in an environment geared around the festival’s theme, “Tap Your Afro Source Code”.
The Fak’ugesi Beats Lab, running from the 24th to the 28th of September will host international electronic artists and explore the connection between music, technology and culture with local and international artists. The outcome from these sessions will result in an EP release, a short documentary and a live showcase performance at the Fak’ugesi Beats Bloc Party on the 29th. The artists featured in the 2018 Beats Lab are S.Fidelity (Switzerland), Zikomo (USA), Morena Leraba (Lesotho) and South African artists Bonj Mpanza and Hlasko.
In partnership with Ballantines Whisky and Business Arts South Africa, the programme includes panels on: ‘The Future of Music’ facilitated by Tefo Mohapi from iAfrikan.com and featuring guest panellists Riky Rick and Thibaut Mullings; ‘Managing Health Amongst Creatives’ featuring psychologist Thembi Mashigo and panel guests Ayanda Seoka, Mx Blouse and more. The day will include a Masterclass with Black Milk (USA), The Art of Remixing with Zikomo(USA) and close with a ‘Power of Collaborations’ session featuring Zikomo, S.Fidelity , Morena Leraba and Bonj Mpanza.
The last week of Fak’ugesi Festival also hosts a special session on the Future of African Gaming on the 28th and 29th of September. A full day on gaming, this will take place in collaboration with Red Bull Basement and focus on the theme of Tech for Good. The programme includes an Indie Games Arcade; a ‘Games for Good’ workshop focused games that address issues in South African urban environment.
The workshop will be followed by a “Futures and Networking” session, inviting the gaming community in the Southern Africa region to contribute to an understanding of what and how the Fak’ugesi Festival can develop and better support African games. This invitation comes after Fak’ugesi Festival in 2018 says farewell to A MAZE. / Johannesburg, which has supported its program since 2013 as the gaming partner.
A MAZE, under the leadership of its creative director, Thorsten S. Wiedemann, linked the Johannesburg gaming scene to an international network of indie developers for six years from 2012 until 2017. The two-way bridge between A MAZE. / Berlin and A MAZE. / Johannesburg inspired other projects like Super Friendship Arcade in Cape Town and Glitch Face in Johannesburg and was a huge impetus in the development of the Game Design programme in the Wits School of Arts. When the Fak’ugesi Festival was established in 2013, A MAZE fell under Fak’ugesi Festival support as the gaming partner. Weidemann added: “It’s been amazing meeting, working and learning from the local and national game and playful media community. We definitely made history together.”
The week’s activities culminate in a celebration at the Fak’ugesi Beats Bloc Party on Saturday 29 September. This event will reignite the energy and spirit created at the inaugural party in a union of performance, music, technology and digital innovation. The Bloc Party aims to showcase the best in underground talent, both local and international – etching its name in the cultural textbooks as an inspiration to future generations of creators, producers and innovators. The second instalment of this ground-breaking event will host performances from the Beats Lab participants, as well as Black Milk and a strong local contingent including Langa Mavuso, Mx Blouse, Symatics + Ramz, and Micr.Pluto.
Tickets for Thursday 27 September are R50 per session and can be purchased via WeHeartBeat. There will be a limited run of R200 student tickets available for Fak’ugesi Beats Bloc Party, upon presentation of a valid student ID. Workshop and student tickets can be purchased throughout the week at the reception of the Tshimologong Precinct.