Now, it is about to go large with more than just big screens. It has launched the first serious Android contender for TV market share in South Africa
“Put simply, Smart TVs have built-in apps that everyday consumers can easily use through the TV’s ability to connect to the Internet,” says Jacques Bentley, Southern Africa sales manager at Skyworth. “That means easy access to streaming services like Netflix, Amazon and YouTube, an all in one convenient package.”
Until now, there has been a major downside, though.
“The number of downloadable apps is limited so you’re stuck with what you’ve got. Also, most operating systems aren’t upgradable. This means that when new apps or services, like Hulu, become available in SA, you may need to consider buying a whole new TV just to cater for them.”
Android TVs, on the other hand, haves access to the Google Play Store. This means that any Android application designed for smart TVs is available for any Android TV.
“Skyworth is the first company in South Africa to partner with Google, meaning it also has access to streaming services, like South African video-on-demand service Showmax, Netflix and YouTube,” says Bentley.
“There’s also the added luxury of the TV’s Voice Search functionality. Instead of having to manually type in what you’re looking for, you can talk to your TV using the remote for a faster, hassle-free way to search. Pairing this feature with Google Assistant allows you to control all your smart home devices too.
“Another big differentiator of this TV is that its operating system is upgradable and so are all of its available applications. This means you can keep up with the best in apps, games and entertainment as and when they enter our country, and without having to splash out on a new device. Think of it as a TV with the same capabilities as a smartphone – except for the fact that it can’t make calls… yet.”
Not all Android apps are compatible, so one won’t find Toonblast, for example, when accessing the Play Store from the Skyworth Android TV. However, other apps traditionally associated with smartphones, like Spotify, take on new life on the big screen. Android in effect turns the TV into an entertainment centre, without the need for the usual set-top box that allows for streaming services. Android TV is itself the streaming service.
The most surprising aspect of the Android TV is the pricing. Despite having more extensive functionality and content available, and despite saving a few thousand rand on a set-top box, it is highly competitive in pricing. A 49” unit is currently selling at a promotional price of R6 999, the 55” goes for R8 999, and the giant 65” for R14 999.
Although the price is right, Skyworth does have a slight snag. Continue reading to find out why.
Showmax shoots its first local drama
Showmax has completed filming its first commissioned drama, as it builds out its roster of original content.
The Girl From St Agnes, Showmax’s first original drama, wrapped on 28 November 2018 after filming in the KwaZulu-Natal Midlands and Johannesburg. The eight-part whodunnit premieres on Showmax on 31 January 2019. It is the second series in a programme designed to build out its roster of exclusive, original content.
As Netflix takes hold as South Africa’s preferred streaming video-on-demand service, Showmax owner MultiChoice has made a string of strategic announcements designed to take the DStv paid satellite broadcasting service into the streaming era. Original content is critical to this strategy, as Netflix is on track to become the world’s biggest movie studio.
Showmax is available in 70 countries.
“Our first Original – last year’s light-hearted comedy Tali’s Wedding Diary – had the most successful launch day of any series on Showmax ever,” says Candice Fangueiro, head of content at Showmax. “This is a complete change of direction: The Girl From St Agnes is a dark murder mystery that will keep you guessing and taps into the current conversations in South Africa about #metoo and teen sexuality.”
At St Agnes, a prestigious all-girls boarding school in the Midlands, a popular and beautiful student is found dead at the base of the old mill. Fearful of the scandal it might cause, the school is quick to declare the death of Lexi Summerveld a tragic accident.
But drama teacher Kate Ballard doesn’t believe it. On the night of her death, an upset Lexi had been trying to contact her, and Kate had ignored her. Now wracked with guilt, Kate attempts to piece together the terrible truth.
The more she investigates, the more Kate realises that she didn’t know Lexi or the school at all. Behind the imposing walls of St Agnes, Lexi’s killer won’t be the only person exposed…
Newcomer Jane De Wet was handpicked to play Lexi by legendary South African casting director Moonyeenn Lee (Tsotsi), who’s been nominated for two Emmy Awards in the last three years, for The Looming Tower and Roots.
Kate is played by Nina Milner, who modelled for Vogue Germany and at Paris Fashion Week last year and most recently starred in Troy: Fall Of A City as Penthesilea, queen of the Amazons.
Jane and Nina are joined by an impressive supporting cast that includes internationally recognised South African talent like Robert Hobbs (District9), Tyrone Keogh (24 Hours To Live), Tessa Jubber (Wallander), Karl Thaning (Dredd) and Shamilla Miller (Troy: Fall Of A City) opposite local favourites like Celeste Khumalo (The Queen), Richard Lukunku (Happiness Is A Four-Letter Word), Zakeeya Patel (High Rollers), Graham Hopkins (The Lab) and three-time South African Film and Television Award (SAFTA) winner Jerry Mofokeng (Heist, Tsotsi), not to mention hot new talent like Paige Bonnin and Tristan de Beer.
The Girl From St Agnes is being produced by Quizzical Pictures, winners of the SAFTA for Best Drama for six of the last eight years, as well as a Peabody. Producer Harriet Gavshon, Quizzical Pictures’ managing director, is drawing on her own private school experiences, which sparked the original idea for the show. This is the first time Harriet has produced a series, rather than just executive producing, since 2009’s Hopeville, which won Best Drama and Miniseries at Rose d’Or, was nominated for an International Emmy, and was a finalist at Monte Carlo.
Catharine Cooke, who won this year’s Best Director In a TV Drama SAFTA for iNumber Number, co-directed the shoot with Cindy Lee, a commercials director helming her first drama series, having previously worked as the social media director on the Emmy-winning Black Mirror. Double SAFTA winner Gillian Breslin (Umlilo; 4Play: Sex Tips For Girls) is head writer. This makes Girl From St Agnes a rare TV series commissioned, produced, written and directed by women.
“What links Girl From St Agnes, Tali’s Wedding Diary and the other Showmax Originals in the pipeline is our aim to work with the best South African talent and be the home for brave, quirky and at times edgy local stories you wouldn’t find anywhere else,” says Candice. “Creating new characters that audiences come to love and follow is an incredibly rewarding experience and we want to establish a platform for more ‘Tali’s’ across varied genres.”
All eight episodes can be binged on Showmax from 31 January 2019.
SA rises as Spotify turns 10
October 2018 marks 10 years since Spotify officially launched its music streaming platform and to celebrate this milestone, Spotify has taken a look at some of its biggest discoveries in music.
Spotify provided the following information:
The service only launched in South Africa in March this year, so this country is not included in the retrospective, but Spotify supplied Gadget with the following local streaming landmarks:
· Most streamed South African artist – Jeremy Loops
· Most streamed female South African artist – Shekhinah
· Highest first-day streaming record – AKA’s Beyonce
Since launch Spotify now sits at 180 million monthly active listeners across 65 countries. These Spotify users can enjoy a music library of over 40 million songs and podcasts, and over 3 billion-plus user-created playlists. As of 31 August 2018, Spotify has also paid over 10 billion euros to rights holders since launch.
To date, over 2 000 genres of music have been identified on Spotify, among them Wonky (electronic music characterised by synths with unusual time signatures), Shimmer Pop (a Swedish cousin of indie pop and indietronica), and British Blues (the blues…with a British flavour).
Spotify has also done an assessment of “listening diversity,” – the number of artists the average user streams per month – which has risen on Spotify over the past 10 years, at an average of about 8% per year. In the past three years alone, listening diversity increased about 40% on the strength of new personalised and editorial playlists – meaning people are listening to an increased number of artists on a regular basis.
An official Decade of Discovery playlist features the most-streamed songs over the past decade, including favourites like Avicii’s “Wake Me Up,” Hozier’s “Take Me To Church,” Kendrick Lamar’s “HUMBLE.,” Rihanna’s “Work,” Sia’s “Chandelier,” Major Lazer’s “Lean On,” and the star-studded “Despacito Remix”.