The information revolution has shifted learning away from ordered hierarchies toward a much messier and self-directed learning paradigm. But has this disrupted education yet? ANGELA SCHAERER, Teacher Engagement Lead for Microsoft SA takes a look.
Look at the world we live in – the ways in which we access information has changed beyond all measure. If I think back to those awful events of September 11, 2001, we watched the unfolding drama on news channels, morbidly glued to our TV sets as the tragic events of that awful day unfolded across our screens. Fast forward a few short years to 2009 and we watched Captain Sullenberger land his Boeing 737 on the Hudson River on our screens, but the size had dramatically decreased.
These events were brought to the world first, not by 24-hour news channels, but by Twitter and YouTube, and we watched the first reports not on our TV screens but on our smart mobile devices. Of course the TV stations quickly caught up, but the story broke across social media first. And that’s the way it is now. We are used to hearing or reading about the big news stories of the day on Twitter rather than the morning papers or the TV. All the media businesses, be they television or newspaper have Twitter accounts. The Chinese government first learned about the 2008 Szechuan earthquake from Twitter rather than its own news agency. And remember the 2012 Arab spring when revolution raced across a continent broke via images from mobile phones and live conversations on social media?
‘Digital information can be altered, mashed, changed or trashed in minutes’
Our world is evolving. New ideas spread the whole way around the world in less than 24 hours. That’s the power of the YouTube video clip! It’s even quicker on Twitter.
Social media is global and ubiquitous. And today, in the middle of the second decade of this 21st century information age, we are now all reporters, sharing, creating, changing and critiquing the news as it happens.
This is evolution, but not as we’ve previously understood the word. Now the term is used to describe changes that occur much more rapidly than Darwin could ever have dreamed about. Digital information can be altered, mashed, changed or even trashed in minutes, in ways previously impossible. Digital textbooks will rarely be out of date in the way their printed versions are. And it seems our brains might be changing as well. Brain plasticity is a well-documented phenomenon.
Some people have written about the possible change in the way our brains have been made to work differently over the past few years, as information arrives at our consciousness via short, sharp simultaneous bursts. And media changes have come hand in hand with the ways in which we consume them. The biggest box-office successes nowadays all rely on the “flash, bang, wallop” effect. It seems we need instant gratification and fast-paced action full of dazzling special effects and noise which appear to trump the great narratives and plot lines of the past. Neural pathways do change. But is this change not to be embraced? After all, it’s how the brains of most of our learners work. In fact, their brains probably know no other way of working. The world has changed, and there is no going back.
‘It’s not what you know but what you do with what you know’
All educators need to do is set the parameters, then work individually with students, helping, providing advice, and yes, even teaching them that it’s not just OK to recycle and mash up knowledge. The real goal is to reboot it, make it work, and truly own it. By this I mean evaluating what is discovered and commenting on how relevant it might be to the project, benchmarking it against the set parameters.
The days of old-style factual regurgitation are long gone, left behind by the post-industrial information age. We should be in the business of helping learners to become consummate knowledge rebooters and problem-seekers. It’s not what you know, but how you use it and how you figure it can address global challenges. Bloom’s hierarchical, level-upon-level paradigm of learning is well and truly disrupted by this knowledge-grazing paradigm.
Educational institutions and governments all around the world are latching on to this knowledge grazing and are making their learning resources freely available online at an incredibly rapid rate. Some of these courses, known as Massive Online Open Courses or MOOCs, attract thousands of eager learners to each course, and many thousands more graze on these fantastic learning artefacts, using, recycling, mashing and rebooting them.
And so this self-directed learning leads to increased confidence to mess about with what we discover. John Seely-Brown calls it “Tinkering”. He believes that this tinkering brings thought and action together in a very magical way. It’s what we do when things won’t work and we get over the fear of getting it wrong. If we get in there and tinker – to try and sort it out – we generally manage to get things going. And yes, this is how our kids play computer games: where failure is just one step on the way to really powerful learning.
This “getting things going” strikes right to the heart of what learning really means. We learn when we engage with whatever we discover. It’s our level of engagement which leads to depth of retention and, therefore, true learning. The world-wide education establishment is waking up to this new paradigm. It can’t come a moment too soon.
Welcome to world of 2099
The world of 2099 will be unrecognisable from the world of today, but it can be predicted, says one visionary. ARTHUR GOLDSTUCK met him in Singapore.
Futuristic structures tower over the landscape. Giant, alien-looking trees light up with dazzling colours amid the hundreds of plant species that grow up their trunks. Cosmetic stores sell their wares via public touch-screens, with products delivered instantly in drawers below the screens.
This is not a vision of the future. It is a sample of Singapore today. But it is also an inkling of the world we may all experience in the future.
Singapore was the venue, last week, of the World Cities Summit, where engineers, politicians, investors and visionaries rubbed shoulders as they talked about the strategies and policies that would enhance urban living in the future.
As part of the Summit, global payment technologies leader Mastercard hosted a small media briefing by one of Singapore’s leading thinkers about the future, Dr Damian Tan, managing director of Vickers Venture Partners. The company’s slogan “We invest in the extraordinary,” offers a small clue to Tan’s perspective.
“We look as far forward as 2099 because, as a venture capital firm, we invest in the long term,” he tells a group of journalists from Africa and the Middle East. “Companies explode in growth because there is value in the future. If there is no growth, they won’t explode.”
The big question that the Smart Cities Summit and Mastercard are trying to help answer is, what will cities look like in the year 2099? Tan can’t give an exact answer, but he offers a framework that helps one approach the question.
“If you want to look at 81 years into the future, and understand the change that will come, you need to double that amount and look into the past. That takes us to 1856. The difference between then and now is the difference you can expect between now and 2099.”
Click here or on the page link below to read on: Page 2: Soldiers and Health in 2099.
- Arthur Goldstuck is founder of World Wide Worx and editor-in-chief of Gadget.co.za. Follow him on Twitter on @art2gee and on YouTube
Street art goes electric
Kaspersky Lab and British street artist D*Face have unveiled the first-ever “art helmet” design at the Formula E finale for electric cars in New York.
The ‘Save The World’ helmets will be raced by DS Virgin Racing’s drivers, Sam Bird and Alex Lynn, as they traverse the New York street circuit during the final races of the Formula E season.
The announcement signals the first art helmet by a Formula E team, continuing the heritage of art in motorsport and the cybersecurity brand’s commitment to contemporary art, creativity and innovation. D*Face took inspiration from Kaspersky Lab’s tagline, “A Company To Save The World”, and hopes that his colourful work will inspire people to take positive action.
D*Face will announce his first-ever art car design with a custom-made livery for the DS Virgin Racing Team. Its design will be released at the “Art Goes Green” event after Saturday’s race. The helmets and art car are the latest installations in the “Save the World” collection, following a major permanent public mural that was installed in Brooklyn, New York, in May.
D*Face, whose real name is Dean Stockton, said: “It is exciting to work with Kaspersky Lab on this project and create art with a real message of hope for a better future. After all, this is our world and we need to look after it. It will take every one of us to make a real lasting, impactful change. I love the mentality of the DS Virgin Racing Team and that of Formula E by showcasing sport in a way that doesn’t harm the environment, but is still just as exhilarating and fun.
“It is time for us all to stand together and make a change… be that stopping data steals, climate change, plastic waste or using damaging fuels. I want everyone to make a pledge to do one thing that will help make a change.”
As a sponsor of DS Virgin Racing Team, Kaspersky Lab is responsible for protecting the team’s devices against cyber threats. The company sees the technical environment in the global sport of Formula E as the next frontier in furthering its research and development of new technologies to keep vehicles secure in the digital world.
Sylvain Filippi, Managing Director at DS Virgin Racing, said: “The whole team fully supports this great initiative and our thanks got to Kaspersky and D*Face for their collaboration. It’s an honour to have such an innovative artist bring his talents to bear in our team ahead of the season-finale; the car, drivers’ crash helmets and mural all look amazing.”
Aldo Fucelli Pessot del Bo, Head of Global Partnerships and Sponsorships at Kaspersky Lab added: “There is a need for innovation on a global scale, both in contemporary art and in the fast-growing sport of Formula E. Now, for the first time ever, Kaspersky Lab is proudly bringing together the two sectors in an effort to Save the World and unleash creativity, encourage freedom of expression and further innovation.”