Virtual reality is still far from the South African mainstream, but a new documentary will help give it a kick-start, writes ARTHUR GOLDSTUCK.
Only a lucky few people ever get to witness the great wildebeest migration in the Maasai Mara national reserve in Kenya. Even fewer have been in the heart of that migration, surrounded by thousands of the animals.
Now, the producers of a ground breaking new documentary hope to bring people into the midst of the experience, at least virtually.
Exodus: The Great Migration is the world’s first virtual reality (VR) documentary of what has been described as one of the greatest natural phenomena on Earth. And a small studio in suburban Johannesburg, Deep VR, beat some of the best funded international film-makers to this landmark.
Their achievement goes further: they also claim the world’s first narrated VR wildlife documentary.
“We decided that we couldn’t just wait for the future to happen, we have to become co-creators of it,” said Ulrico Grech-Cumbo, CEO of Deep VR. “We asked ourselves, how can we use this technology to foster appreciation, education and conservation for Mother Nature in a way no technology has ever allowed before? In a crazed leap of faith, we set out on the ultimate creative challenge for our first original piece: film the greatest mammal migration on the plains of the Maasai Mara, in VR.”
Grech-Cumbo has been a VR evangelist since long before commercial headsets were available to consumers He founded Deep VR in 2014, along with Telmo dos Reis, head of post-production. It specialises in producing high-end 360 degree video in 2D, known as monoscopic for the fact that both eyes see the same image, meaning there is no sense of depth, and in 3D, referred to as stereoscopic, meaning it gives a perception of depth. The first gives the sense of merely viewing a virtual world, while the second gives the sense of being inside that world. It has made commercial VR in 10 countries using its own self-designed camera systems. The Msasai Mara was the company’s biggest challenge yet.
“Having to self-fund this passion project was a humbling experience,” says Grech-Cumbo. “We went to the US to pitch Exodus to a well-known wildlife broadcaster, but got turned down. We experimented with a crowdfunding campaign and managed to raise enough capital for a few plane tickets to Kenya. That was just enough for us to decide, to heck with it, let’s commit.”
What followed was a case study in all that can go wrong on a film shoot. From authorities that wouldn’t cooperate to equipment that wouldn’t perform as expected to animals that did not conform to a timetable, it was a production that should never have been pulled off.
But, last week at the Circa gallery in Rosebank, the documentary finally saw its local premiere. The gallery was converted into a pop-up cinema for the screening of a documentary-about-a-documentary, which took viewers behind the scenes of the production – in regular 2D cinema. The short film, Made in the Mara, was directed by American film-maker Amy Montalvo, who journeyed with the Deep VR crew into the Maasai Mara.
During the making of Exodus, 360-degree cameras were placed at strategic points on the migration route, supported by flying drones equipped with high-definition cameras. Together, they captured the frenzy and the fascination of the migration, almost eliciting the smell of the dust thrown up by the wildebeest.
The audience at Circa was fitted with Samsung Gear VR headsets, to experience the VR documentary. Public screenings were due to be held at the same venue.
This will be the first in a series of wildlife documentaries by Deep VR. The experience and success of Exodus has led to the establishment of a wildlife division at the company, aimed at “telling original, self-funded stories about natural history, wildlife and the environment”.
To start with, it will film mass migrations of mammals, birds, invertebrates and insects across the globe. The most challenging of these is likely to be the story of the Amur falcon, a small raptor that breeds in Siberia, Mongolia and northern China. It then migrates in flocks across India and over the sea to South Africa.
The episode, to be called Exodus: Amur Falcons, will not only trace this 6 000km journey, but also introduce South Africans to a little-known aspect of their widlflife heritage.
* Further information about public screenings, as well as the VR documentary, Exodus: The Great Migration, and the Made in the Mara short film, can be viewed online at www.deepvr.co.za/exodus.
Win a Poster Heater with Gadget and Takealot.com
This winter Gadget and Takealot.com are giving away three Poster Heaters, which look like posters but become heaters when you plug them in.
Three Gadget readers will each win a unit, valued at R550 each. To enter, follow @GadgetZA and @Takealot on Twitter and tell us on the @GadgetZA account how many Watts the heater consumes.
What’s the big deal about these heaters? Many of us are struggling to keep the balance between soaring electricity costs and the need to keep warm this winter.
However, the recently launched Poster Heater by EasyHeat and distributed in South Africa by Takealot.com is not only one of the most cost effective electric heaters currently on the market, it is also easy to setup and use.
As the name indicates, it is a poster similar to one you would hang on a wall. But, plug it in and it turns into a 300 Watt heater. The Poster Heater isn’t designed to heat hallways or large rooms, but rather smaller ones like a bedroom or a baby’s nursery or a dressing room.
It uses radiant heating, which means that it heats up in a couple of minutes and the heat is directed at the objects or people around it, quickly taking the chill out of the air and providing a comfortable ambient temperature.
The other advantage of radiant heating is that it doesn’t dry out the air like infrared or gas heaters. Users also don’t have to worry about their children or pets getting too close to it because, even though it gets hot, it can be touched.
To enter the competition follow the steps below:
Competition entry details:
3. The competition closes on 31 July 2018.
4. Winners will be notified via Twitter on 1 August and Takealot.com will be in touch to organise delivery.
5. The competition is only open to South African residents.
Happy Emoji Day! Here’s 10 reasons to be cheerful
First created by Shigetaka Kurita in 1999, the emoji has become a huge part of everyday communication. Whether you love them or hate them, flying dollar bills, applauding hands and rolling eyes are here to stay.
Scientist suggest that the use of emojis will help us gain the same satisfaction from digital interactions as we enjoy from personal contact.
Almost two decades later, and we have over 2600 unique emojis to perfectly express what we feel, thank you Mr Kurita! Join HMD, the home of Nokia phones as we celebrate World Emoji Day on the 17th of July with these interesting emoji facts:
The most popular emoji used is “Person Shrugging”
1. The Nokia 3310 was chosen as one of the first 3 “National” emojis for Finland… it represents unbreakable!
2. South Africa’s favourite emoji is the “Kiss and wink”… how sweet SA!
3. French is the only language where a ‘smiley’ does not top the list for its use
4. On average, over 60 billion emojis are sent on Facebook every day
5. For the first time ever, the Oxford Dictionaries Word of the Year was a pictograph! The “Face with Tears of Joy” was crowned word of the year in 2015
6. According to Emojipedia, some of the most requested emoji’s include afro, a bagel and hands making a heart
7. To include all races, a diversity pack was released in 2017
8. It has become so trendy that the Museum of Modern Art displays the original emoji collection on canvas
9. In 2009, Herman Melville’s classic Moby Dick was completely translated into emoji’s