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IAB takes on SA censors

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The Interactive Advertising Bureau (IAB) has engaged the Film and Publications Board (FPB) with regards the latter’s recently gazetted Draft Online Regulation Policy and has met with FPB CEO, Themba Wakashe, to discuss the IAB’s concerns.

The Draft Policy, as currently tabled, has potentially far-reaching implications for free speech in South Africa, and doesn’t address a large number of operational challenges the FPB will face in attempting to implement and enforce it against the backdrop of an increasingly digitally-enabled and –active population.

The FPB’s policy has attracted criticism and controversy, with a number of commentators calling into question its constitutionality, lawfulness and practicality.  At its core, the policy requires the pre-classification, prior to publication, of any “film, game or certain publication” according to the FPB’s guidelines, and explicitly includes within its scope user-generated content distributed via social media platforms. The definitions of “film” and “certain publication” are broad enough to cover video or content in almost any form (including news and current affairs content).

The FPB has further purported to grant itself vague and extensive censorship powers via a provision that requires that, “with regard to any other content distributed online, the Board shall have the power to order an administrator of any online platform to take down any content that the Board may deem to be potentially harmful and disturbing to children of certain ages”.

Anyone who publishes – or facilitates the publication of – content, be it Google, Apple and Facebook, South Africa’s ISPs and news media, and even individual bloggers and small businesses operating from bedrooms and basements, stands to be caught in the FPB’s wide net.

The IAB is a non-profit organisation dedicated to the growth of digital business in South Africa, and represents over 200 of the country’s largest and most influential online publishers, brands, digital advertising and media agencies, and educational institutions, all of whom create and publish content in some form or another. Notable members include Google, Vodacom, Nedbank, Woolworths, OLX, takealot.com, the 24 Group, Mail and Guardian, eTV, eNCA, BBC, SABC Online, Independent Online, Times Media, Kagiso Media and Caxton. The Draft Policy threatens not only the individual freedom of expression currently enjoyed by digitally-active South African businesses, but also poses an obstacle to the growth and health of the country’s burgeoning online industry.

“We absolutely share some of the FPB’s concerns relating to unfettered access of children to harmful and dangerous content on the internet”, says Andrew Allison, Head of Regulatory Affairs at the IAB, “but we disagree with the manner in which the FPB is proposing to address this. The overwhelming majority of content disseminated via digital media is not harmful, and the mechanisms contained in the Draft Policy are unduly onerous and excessive”.

The IAB will be making formal submissions to the FPB regarding the Draft Policy before the given deadline of 15 July 2015.

Allison adds, “Notwithstanding our issues with the Draft Policy, we have expressed our willingness to cooperate with the FPB in addressing our shared concerns, and are committed to working with them, and with other stakeholders and interest groups, to develop workable, fair and constitutionally-sound solutions”.

Since 2014, the IAB has been working with the South African National Editors Forum (SANEF) and Press Council on a proposed revision of the Press Code and upgrades to the current Press Council to create a voluntary, self-regulatory body that will promote and demand high standards and quality of editorial content from local publishers, irrespective of the medium (print, online or otherwise) via which it is communicated.

Allison concludes, “We believe that this augmented Council will responsibly and properly address the majority of concerns that the FPB’s Draft Policy is trying to tackle. As a collective of industry players across various sectors, we know that we are best placed and equipped to deliver a standard of content in South Africa that fairly balances our constitutionally-enshrined freedom of expression with our shared desire to protect our children from harmful material”.

* Follow Gadget on Twitter on @GadgetZA

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Win a Poster Heater with Gadget and Takealot.com

This winter Gadget and Takealot.com are giving away three Poster Heaters, which look like posters but become heaters when you plug them in.

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Three Gadget readers will each win a unit, valued at R550 each. To enter, follow @GadgetZA and @Takealot on Twitter and tell us on the @GadgetZA account how many Watts the heater consumes.

What’s the big deal about these heaters? Many of us are struggling to keep the balance between soaring electricity costs and the need to keep warm this winter.

However, the recently launched Poster Heater by EasyHeat and distributed in South Africa by Takealot.com is not only one of the most cost effective electric heaters currently on the market, it is also easy to setup and use.

As the name indicates, it is a poster similar to one you would hang on a wall. But, plug it in and it turns into a 300 Watt heater. The Poster Heater isn’t designed to heat hallways or large rooms, but rather smaller ones like a bedroom or a baby’s nursery or a dressing room.

It uses radiant heating, which means that it heats up in a couple of minutes and the heat is directed at the objects or people around it, quickly taking the chill out of the air and providing a comfortable ambient temperature.

The other advantage of radiant heating is that it doesn’t dry out the air like infrared or gas heaters. Users also don’t have to worry about their children or pets getting too close to it because, even though it gets hot, it can be touched.

To enter the competition follow the steps below:

Competition entry details:

1. Follow @GadgetZA and @Takealot on Twitter. (We will ONLY be accepting entires via Twitter, so please don’t enter through the comments section of this article.)

2. Tell us on Twitter, via @GadgetZA, mentioning @Takealot in your posting, how many Watts the Poster Heater consumes.

cleardot.gif3. The competition closes on 31 July 2018.

4. Winners will be notified via Twitter on 1 August and Takealot.com will be in touch to organise delivery.

5. The competition is only open to South African residents.

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Deezer to host Hotstix’s Mandela tribute playlist

Deezer is celebrating Nelson Mandela on the centenary of his birthday by hosting a tribute playlist created by music legend Sipho “Hotstix” Mabuse.  

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Mabuse, a legendary figure in African music, first rose to prominence in the 1970s with his band Harari and later developed a name for himself as a solo artist. One of his best known songs was the global hit BurnOut in the 1980s.

The playlist takes the listener on a captivating musical journey through the life of Nelson Mandela.  It was compiled by Mabuse, who consulted with Mandela’s family and friends to ensure that the music would be relevant and accurate. The playlist also features commentary by Mabuse, which was recorded in his Soweto home.  

“I have tried to tell the story of the music that Madiba loved,” says Mabuse. “The Playlist excludes the time in prison obviously, as Madiba would not have had exposure to music in that time.  We have focused on the music we know he loved before and after that period. This recording was really an emotional journey for me, but an incredible opportunity to document these memories.”

The playlist features the music the young Mandela loved, such as The Manhattan Brothers, Solomon Linda, Brenda Fassie and Miriam Makeba.  It includes struggle songs from Chicco, Johnny Clegg, Hugh Masekela and Yvonne Chaka Chaka.  The playlist also includes Mandela by Zahara, one of the younger artists who caught Madiba’s ear.

Mabuse also offers stories of his own songs, such as Shikisha, a song greatly beloved by the former President.

“I was delighted to share my thoughts and hope the listeners enjoyed the musical journey,” says Mabuse. “Madiba did enjoy music immensely and we all have a purpose wherever we are in the world to celebrate culture and to learn from different cultures and music forms and styles.”

This playlist was inspired by the Nelson Mandela 100 campaign, calling on corporates and individuals to act as sources of inspiration and engage in conversation and action.

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