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IAB takes on SA censors

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The Interactive Advertising Bureau (IAB) has engaged the Film and Publications Board (FPB) with regards the latter’s recently gazetted Draft Online Regulation Policy and has met with FPB CEO, Themba Wakashe, to discuss the IAB’s concerns.

The Draft Policy, as currently tabled, has potentially far-reaching implications for free speech in South Africa, and doesn’t address a large number of operational challenges the FPB will face in attempting to implement and enforce it against the backdrop of an increasingly digitally-enabled and –active population.

The FPB’s policy has attracted criticism and controversy, with a number of commentators calling into question its constitutionality, lawfulness and practicality.  At its core, the policy requires the pre-classification, prior to publication, of any “film, game or certain publication” according to the FPB’s guidelines, and explicitly includes within its scope user-generated content distributed via social media platforms. The definitions of “film” and “certain publication” are broad enough to cover video or content in almost any form (including news and current affairs content).

The FPB has further purported to grant itself vague and extensive censorship powers via a provision that requires that, “with regard to any other content distributed online, the Board shall have the power to order an administrator of any online platform to take down any content that the Board may deem to be potentially harmful and disturbing to children of certain ages”.

Anyone who publishes – or facilitates the publication of – content, be it Google, Apple and Facebook, South Africa’s ISPs and news media, and even individual bloggers and small businesses operating from bedrooms and basements, stands to be caught in the FPB’s wide net.

The IAB is a non-profit organisation dedicated to the growth of digital business in South Africa, and represents over 200 of the country’s largest and most influential online publishers, brands, digital advertising and media agencies, and educational institutions, all of whom create and publish content in some form or another. Notable members include Google, Vodacom, Nedbank, Woolworths, OLX, takealot.com, the 24 Group, Mail and Guardian, eTV, eNCA, BBC, SABC Online, Independent Online, Times Media, Kagiso Media and Caxton. The Draft Policy threatens not only the individual freedom of expression currently enjoyed by digitally-active South African businesses, but also poses an obstacle to the growth and health of the country’s burgeoning online industry.

“We absolutely share some of the FPB’s concerns relating to unfettered access of children to harmful and dangerous content on the internet”, says Andrew Allison, Head of Regulatory Affairs at the IAB, “but we disagree with the manner in which the FPB is proposing to address this. The overwhelming majority of content disseminated via digital media is not harmful, and the mechanisms contained in the Draft Policy are unduly onerous and excessive”.

The IAB will be making formal submissions to the FPB regarding the Draft Policy before the given deadline of 15 July 2015.

Allison adds, “Notwithstanding our issues with the Draft Policy, we have expressed our willingness to cooperate with the FPB in addressing our shared concerns, and are committed to working with them, and with other stakeholders and interest groups, to develop workable, fair and constitutionally-sound solutions”.

Since 2014, the IAB has been working with the South African National Editors Forum (SANEF) and Press Council on a proposed revision of the Press Code and upgrades to the current Press Council to create a voluntary, self-regulatory body that will promote and demand high standards and quality of editorial content from local publishers, irrespective of the medium (print, online or otherwise) via which it is communicated.

Allison concludes, “We believe that this augmented Council will responsibly and properly address the majority of concerns that the FPB’s Draft Policy is trying to tackle. As a collective of industry players across various sectors, we know that we are best placed and equipped to deliver a standard of content in South Africa that fairly balances our constitutionally-enshrined freedom of expression with our shared desire to protect our children from harmful material”.

* Follow Gadget on Twitter on @GadgetZA

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Welcome to world of 2099

The world of 2099 will be unrecognisable from the world of today, but it can be predicted, says one visionary. ARTHUR GOLDSTUCK met him in Singapore.

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Futuristic structures tower over the landscape. Giant, alien-looking trees light up with dazzling colours amid the hundreds of plant species that grow up their trunks. Cosmetic stores sell their wares via public touch-screens, with products delivered instantly in drawers below the screens.

This is not a vision of the future. It is a sample of Singapore today. But it is also an inkling of the world we may all experience in the future.

Singapore was the venue, last week, of the World Cities Summit, where engineers, politicians, investors and visionaries rubbed shoulders as they talked about the strategies and policies that would enhance urban living in the future.

As part of the Summit, global payment technologies leader Mastercard hosted a small media briefing by one of Singapore’s leading thinkers about the future, Dr Damian Tan, managing director of Vickers Venture Partners. The company’s slogan “We invest in the extraordinary,” offers a small clue to Tan’s perspective.

“We look as far forward as 2099 because, as a venture capital firm, we invest in the long term,” he tells a group of journalists from Africa and the Middle East. “Companies explode in growth because there is value in the future. If there is no growth, they won’t explode.”

The big question that the Smart Cities Summit and Mastercard are trying to help answer is, what will cities look like in the year 2099? Tan can’t give an exact answer, but he offers a framework that helps one approach the question.

“If you want to look at 81 years into the future, and understand the change that will come, you need to double that amount and look into the past. That takes us to 1856. The difference between then and now is the difference you can expect between now and 2099.”

Click here or on the page link below to read on: Page 2: Soldiers and Health in 2099.

  •    Arthur Goldstuck is founder of World Wide Worx and editor-in-chief of Gadget.co.za. Follow him on Twitter on @art2gee and on YouTube

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Street art goes electric

Kaspersky Lab and British street artist D*Face have unveiled the first-ever “art helmet” design at the Formula E finale for electric cars in New York.

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The ‘Save The World’ helmets will be raced by DS Virgin Racing’s drivers, Sam Bird and Alex Lynn, as they traverse the New York street circuit during the final races of the Formula E season.

The announcement signals the first art helmet by a Formula E team, continuing the heritage of art in motorsport and the cybersecurity brand’s commitment to contemporary art, creativity and innovation. D*Face took inspiration from Kaspersky Lab’s tagline, “A Company To Save The World”, and hopes that his colourful work will inspire people to take positive action.

D*Face will announce his first-ever art car design with a custom-made livery for the DS Virgin Racing Team. Its design will be released at the “Art Goes Green” event after Saturday’s race. The helmets and art car are the latest installations in the “Save the World” collection, following a major permanent public mural that was installed in Brooklyn, New York, in May.

D*Face, whose real name is Dean Stockton, said: “It is exciting to work with Kaspersky Lab on this project and create art with a real message of hope for a better future. After all, this is our world and we need to look after it. It will take every one of us to make a real lasting, impactful change. I love the mentality of the DS Virgin Racing Team and that of Formula E by showcasing sport in a way that doesn’t harm the environment, but is still just as exhilarating and fun.

“It is time for us all to stand together and make a change… be that stopping data steals, climate change, plastic waste or using damaging fuels. I want everyone to make a pledge to do one thing that will help make a change.”

As a sponsor of DS Virgin Racing Team, Kaspersky Lab is responsible for protecting the team’s devices against cyber threats. The company sees the technical environment in the global sport of Formula E as the next frontier in furthering its research and development of new technologies to keep vehicles secure in the digital world.

Sylvain Filippi, Managing Director at DS Virgin Racing, said: “The whole team fully supports this great initiative and our thanks got to Kaspersky and D*Face for their collaboration. It’s an honour to have such an innovative artist bring his talents to bear in our team ahead of the season-finale; the car, drivers’ crash helmets and mural all look amazing.”

Aldo Fucelli Pessot del Bo, Head of Global Partnerships and Sponsorships at Kaspersky Lab added: “There is a need for innovation on a global scale, both in contemporary art and in the fast-growing sport of Formula E. Now, for the first time ever, Kaspersky Lab is proudly bringing together the two sectors in an effort to Save the World and unleash creativity, encourage freedom of expression and further innovation.”

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