Last week Huawei released its P20 series of smartphones in South Africa, setting high expectations in the local market. SEAN BACHER was there.
When Huawei announced the availability of its latest smartphones, the P20 and the P20 Pro, in South Africa this week, it also set high expectations for increased market share.
“Even though we don’t quite have the market share we would like, we are slowly increasing it due to our superior quality and service at a more reasonable price,” says Akhram Mohamed, product director at Huawei South Africa.
He said that innovation in the smartphone market is starting to stagnate, and Huawei needed to push the boundaries.
“All modern phones have front and rear cameras and use the same operating system with the manufacturer’s skin plastered on it, with a few widgets and proprietary apps to set them apart.
“It’s for this reason that so much research and development went into the P20 series. The P20 uses a Leica dual camera with a 12MP sensor and a 20MP monochrome one. The P20 Pro uses a triple camera — with the highest total pixel count on a smartphone to date. It uses a 40MP RGB sensor, a 20MP monochrome sensor and an 8MP sensor with telephoto lens offering the best picture quality during the day and night.”
Due to the P20 series having great cameras and being more powerful because of the Kirin 970 CPU, and running Google’s 8.1 operating system, the latest Huawei devices have been among the few selected by Google to use Google ARCore.
ARCore enables developers to build apps that can understand a user’s environment and place objects and information in it using augmented reality. This needs a lot more processing power than most current phones can offer.
Mohamed says the ARCore combined with the Kirin 970 CPU the P20 series will be able to help in the education sector. For example, many kids in South Africa have never seen a European city but, with the P20 series using Google ARCore and virtual reality, the phone is able to bring the city to them, allowing them to roam the virtual streets.
In addition, the cameras and high speed offered by the CPU will allow the visually impaired to take photos of an object and get an audio description of what that object is.
Users can also take pictures of stars and planets and get information like name and orbit. While this is currently available with numerous apps on the Google Play Store, most of these deliver the information slowly due to the lack of processing power.
In addition to the P20’s superior cameras and speed, Mohamed also believes the phone’s ability to multitask will be a big attraction to many.
“So many users carry two phones around with them – one for business and one for leisure. Our latest devices can be both a professional device, thanks to speed and security, and a leisure one, offered by the advanced camera features and 128GB of on-board storage.”
Both phones are currently available at all major cellular retail outlets. The Huawei P20 series comes in Black, Midnight Blue and two new gradient colours, Twilight and Pink Gold.
The P20 sells for R13 000 and the P20 Pro for R16 000.
Welcome to world of 2099
The world of 2099 will be unrecognisable from the world of today, but it can be predicted, says one visionary. ARTHUR GOLDSTUCK met him in Singapore.
Futuristic structures tower over the landscape. Giant, alien-looking trees light up with dazzling colours amid the hundreds of plant species that grow up their trunks. Cosmetic stores sell their wares via public touch-screens, with products delivered instantly in drawers below the screens.
This is not a vision of the future. It is a sample of Singapore today. But it is also an inkling of the world we may all experience in the future.
Singapore was the venue, last week, of the World Cities Summit, where engineers, politicians, investors and visionaries rubbed shoulders as they talked about the strategies and policies that would enhance urban living in the future.
As part of the Summit, global payment technologies leader Mastercard hosted a small media briefing by one of Singapore’s leading thinkers about the future, Dr Damian Tan, managing director of Vickers Venture Partners. The company’s slogan “We invest in the extraordinary,” offers a small clue to Tan’s perspective.
“We look as far forward as 2099 because, as a venture capital firm, we invest in the long term,” he tells a group of journalists from Africa and the Middle East. “Companies explode in growth because there is value in the future. If there is no growth, they won’t explode.”
The big question that the Smart Cities Summit and Mastercard are trying to help answer is, what will cities look like in the year 2099? Tan can’t give an exact answer, but he offers a framework that helps one approach the question.
“If you want to look at 81 years into the future, and understand the change that will come, you need to double that amount and look into the past. That takes us to 1856. The difference between then and now is the difference you can expect between now and 2099.”
Click here or on the page link below to read on: Page 2: Soldiers and Health in 2099.
- Arthur Goldstuck is founder of World Wide Worx and editor-in-chief of Gadget.co.za. Follow him on Twitter on @art2gee and on YouTube
Street art goes electric
Kaspersky Lab and British street artist D*Face have unveiled the first-ever “art helmet” design at the Formula E finale for electric cars in New York.
The ‘Save The World’ helmets will be raced by DS Virgin Racing’s drivers, Sam Bird and Alex Lynn, as they traverse the New York street circuit during the final races of the Formula E season.
The announcement signals the first art helmet by a Formula E team, continuing the heritage of art in motorsport and the cybersecurity brand’s commitment to contemporary art, creativity and innovation. D*Face took inspiration from Kaspersky Lab’s tagline, “A Company To Save The World”, and hopes that his colourful work will inspire people to take positive action.
D*Face will announce his first-ever art car design with a custom-made livery for the DS Virgin Racing Team. Its design will be released at the “Art Goes Green” event after Saturday’s race. The helmets and art car are the latest installations in the “Save the World” collection, following a major permanent public mural that was installed in Brooklyn, New York, in May.
D*Face, whose real name is Dean Stockton, said: “It is exciting to work with Kaspersky Lab on this project and create art with a real message of hope for a better future. After all, this is our world and we need to look after it. It will take every one of us to make a real lasting, impactful change. I love the mentality of the DS Virgin Racing Team and that of Formula E by showcasing sport in a way that doesn’t harm the environment, but is still just as exhilarating and fun.
“It is time for us all to stand together and make a change… be that stopping data steals, climate change, plastic waste or using damaging fuels. I want everyone to make a pledge to do one thing that will help make a change.”
As a sponsor of DS Virgin Racing Team, Kaspersky Lab is responsible for protecting the team’s devices against cyber threats. The company sees the technical environment in the global sport of Formula E as the next frontier in furthering its research and development of new technologies to keep vehicles secure in the digital world.
Sylvain Filippi, Managing Director at DS Virgin Racing, said: “The whole team fully supports this great initiative and our thanks got to Kaspersky and D*Face for their collaboration. It’s an honour to have such an innovative artist bring his talents to bear in our team ahead of the season-finale; the car, drivers’ crash helmets and mural all look amazing.”
Aldo Fucelli Pessot del Bo, Head of Global Partnerships and Sponsorships at Kaspersky Lab added: “There is a need for innovation on a global scale, both in contemporary art and in the fast-growing sport of Formula E. Now, for the first time ever, Kaspersky Lab is proudly bringing together the two sectors in an effort to Save the World and unleash creativity, encourage freedom of expression and further innovation.”