The creative relationship between hardware, software and art will be discovered, examined and explored as the Fak’ugesi Arts Residency returns as part of the 2015 Fak’ugesi African Digital Innovation Festival.
The Fak’ugesi Residency will once again bring together the best local and international creative technologists for festival goers to enjoy.
This year, the Wits Art Museum Basement Gallery will be transformed into an inspired ‘Fak’ugesi Lab’ for the entire three week duration of the festival. During this time, resident artists will engage visitors and run workshops with the public in the development of a final installation that responds to the theme: “Futurist visions of Johannesburg: uncovering place and space, physical and virtual responses to ‘now’ for African socio-cultural technologies of the future.”
Tegan Bristow at the Digital Arts Division at Wits and Irini Papadimitriou, a technology arts curator with Watermans and the Victoria & Albert Museum in London have developed this year’s residency with support from the SA-UK Seasons 2014 & 2015, a partnership between the Department of Arts and Culture and the British Council. In the spirit of the evolving partnership with Wits Art Museum, Watermans and Fak’ugesi Festival, Ling Tan and Kasia Molga, two UK based creative technologists will join forces with Jepchumba and Nathan Gates, two Africa based creative technologists to collaborate on the development of this year’s theme. In addition to the residency and exhibition at the Wits Art Museum, the residents will also participate at the annual Digital Performance Weekender Festival at Watermans in the UK later this year.
The not-to-be-missed 2015 line-up includes UK based, Ling Tan – a designer, maker, coder and trained architect will be exploring the modes of interaction between the people and the spaces of Braamfontein using wearable and mobile technology.
Also joining the Arts Residency from the UK is Kasia Molga, a media artist and environmentalist. Molga will be working with the intersection of art, science and technology in a bid to challenge our relationships with the city with its green and man-made spaces.
Jepchumba, who originates from Kenya, will be feature as the resident “African Digital Artist”. With a background in digital art, online development and social media strategy, Jepchumba will examine how young people envision themselves in the creative futures of the city, join her at the museum to “Meet Your Future Selfie”.
South Africa based Nathan Gates joins the Artist Residency line-up as the second African artist. Gates’ interests include the domestication of knowledge at the hands of digital technologies. During the residency he will explore processes of creation in thinking about the future of Johannesburg.
Fak’ugesi Festival Director, Prof Christo Doherty, describes the residency as an exciting evolution of the first event pioneered at last year’s Festival. “In 2015, we are seeing the development and extension of the residency concept that builds on the lessons learnt and the relationships established at last year’s Festival. We look forward to a vibrant public engagement and challenging creative collaboration around the theme of futurist visions of Johannesburg.”
The Fak’ugesi African Digital Innovation Festival will run from 21 August to 13 September in Braamfontein.
Welcome to world of 2099
The world of 2099 will be unrecognisable from the world of today, but it can be predicted, says one visionary. ARTHUR GOLDSTUCK met him in Singapore.
Futuristic structures tower over the landscape. Giant, alien-looking trees light up with dazzling colours amid the hundreds of plant species that grow up their trunks. Cosmetic stores sell their wares via public touch-screens, with products delivered instantly in drawers below the screens.
This is not a vision of the future. It is a sample of Singapore today. But it is also an inkling of the world we may all experience in the future.
Singapore was the venue, last week, of the World Cities Summit, where engineers, politicians, investors and visionaries rubbed shoulders as they talked about the strategies and policies that would enhance urban living in the future.
As part of the Summit, global payment technologies leader Mastercard hosted a small media briefing by one of Singapore’s leading thinkers about the future, Dr Damian Tan, managing director of Vickers Venture Partners. The company’s slogan “We invest in the extraordinary,” offers a small clue to Tan’s perspective.
“We look as far forward as 2099 because, as a venture capital firm, we invest in the long term,” he tells a group of journalists from Africa and the Middle East. “Companies explode in growth because there is value in the future. If there is no growth, they won’t explode.”
The big question that the Smart Cities Summit and Mastercard are trying to help answer is, what will cities look like in the year 2099? Tan can’t give an exact answer, but he offers a framework that helps one approach the question.
“If you want to look at 81 years into the future, and understand the change that will come, you need to double that amount and look into the past. That takes us to 1856. The difference between then and now is the difference you can expect between now and 2099.”
- Arthur Goldstuck is founder of World Wide Worx and editor-in-chief of Gadget.co.za. Follow him on Twitter on @art2gee and on YouTube
Use the page links below to continue reading about Tan’s visions.
Win a Poster Heater with Gadget and Takealot.com
This winter Gadget and Takealot.com are giving away three Poster Heaters, which look like posters but become heaters when you plug them in.
Three Gadget readers will each win a unit, valued at R550 each. To enter, follow @GadgetZA and @Takealot on Twitter and tell us on the @GadgetZA account how many Watts the heater consumes.
What’s the big deal about these heaters? Many of us are struggling to keep the balance between soaring electricity costs and the need to keep warm this winter.
However, the recently launched Poster Heater by EasyHeat and distributed in South Africa by Takealot.com is not only one of the most cost effective electric heaters currently on the market, it is also easy to setup and use.
As the name indicates, it is a poster similar to one you would hang on a wall. But, plug it in and it turns into a 300 Watt heater. The Poster Heater isn’t designed to heat hallways or large rooms, but rather smaller ones like a bedroom or a baby’s nursery or a dressing room.
It uses radiant heating, which means that it heats up in a couple of minutes and the heat is directed at the objects or people around it, quickly taking the chill out of the air and providing a comfortable ambient temperature.
The other advantage of radiant heating is that it doesn’t dry out the air like infrared or gas heaters. Users also don’t have to worry about their children or pets getting too close to it because, even though it gets hot, it can be touched.
To enter the competition follow the steps below:
Competition entry details:
3. The competition closes on 31 July 2018.
4. Winners will be notified via Twitter on 1 August and Takealot.com will be in touch to organise delivery.
5. The competition is only open to South African residents.