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Tech meets Art at Wits

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The creative relationship between hardware, software and art will be discovered, examined and explored as the Fak’ugesi Arts Residency returns as part of the 2015 Fak’ugesi African Digital Innovation Festival.

The Fak’ugesi Residency will once again bring together the best local and international creative technologists for festival goers to enjoy.

This year, the Wits Art Museum Basement Gallery will be transformed into an inspired ‘Fak’ugesi Lab’ for the entire three week duration of the festival. During this time, resident artists will engage visitors and run workshops with the public in the development of a final installation that responds to the theme: “Futurist visions of Johannesburg: uncovering place and space, physical and virtual responses to ‘now’ for African socio-cultural technologies of the future.”

Tegan Bristow at the Digital Arts Division at Wits and Irini Papadimitriou, a technology arts curator with Watermans and the Victoria & Albert Museum in London have developed this year’s residency with support from the SA-UK Seasons 2014 & 2015, a partnership between the Department of Arts and Culture and the British Council. In the spirit of the evolving partnership with Wits Art Museum, Watermans and Fak’ugesi Festival, Ling Tan and Kasia Molga, two UK based creative technologists will join forces with Jepchumba and Nathan Gates, two Africa based creative technologists to collaborate on the development of this year’s theme. In addition to the residency and exhibition at the Wits Art Museum, the residents will also participate at the annual Digital Performance Weekender Festival at Watermans in the UK later this year.

The not-to-be-missed 2015 line-up includes UK based, Ling Tan – a designer, maker, coder and trained architect will be exploring the modes of interaction between the people and the spaces of Braamfontein using wearable and mobile technology.

Also joining the Arts Residency from the UK is Kasia Molga, a media artist and environmentalist. Molga will be working with the intersection of art, science and technology in a bid to challenge our relationships with the city with its green and man-made spaces.

Jepchumba, who originates from Kenya, will be feature as the resident “African Digital Artist”. With a background in digital art, online development and social media strategy, Jepchumba will examine how young people envision themselves in the creative futures of the city, join her at the museum to “Meet Your Future Selfie”.

South Africa based Nathan Gates joins the Artist Residency line-up as the second African artist. Gates’ interests include the domestication of knowledge at the hands of digital technologies. During the residency he will explore processes of creation in thinking about the future of Johannesburg.

Fak’ugesi Festival Director, Prof Christo Doherty, describes the residency as an exciting evolution of the first event pioneered at last year’s Festival.  “In 2015, we are seeing the development and extension of the residency concept that builds on the lessons learnt and the relationships established at last year’s Festival.  We look forward to a vibrant public engagement and challenging creative collaboration around the theme of futurist visions of Johannesburg.”

The Fak’ugesi African Digital Innovation Festival will run from 21 August to 13 September in Braamfontein.

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YouTube Music announces Smart Downloads, SA playlists

The service has introduced Smart Downloads which takes allowing users to store and play hundreds of tunes offline, automatically.

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The latest updates from YouTube Music, for subscribers of its Music Premium and Premium services, include a new feature that allows users to switch seamlessly between a song and its music video for an uninterrupted experience.

It has also introduced Smart Downloads which takes the work out of downloading music, allowing users to store and play hundreds of tunes offline, automatically. YouTube Music has also announced new playlists for South Africa. 

The updates all reflect features that are popular on the global leader in music streaming, Spotify, and that have been key to its growth.

YouTube said in a statement on Friday: “Imagine listening to a new track by your favourite artist in the YouTube Music app and having the ability to seamlessly switch over to watch the music video – no pauses, no interruptions, just a simple tap that keeps the music flowing. This standout new feature from YouTube Music allows YouTube Premium and YouTube Music Premium subscribers to make a seamless transition between a song and its music video for uninterrupted listening and/or watching. Whether you’re in the mood for listening or watching (or a little of both)… it’s all here – no app switching required.”

With Smart Downloads, YouTube Music automatically saves music at night, when connected to Wi-Fi, helping subscribers to use less mobile data, enjoy a smoother updating experience and save up to 500 songs offline using Liked Songs playlist as well as other playlists and albums. 


Previously, music lovers could use the Offline Mixtape feature to download up to 100 songs, specifically chosen for them based on what they listened to most on the platform. Now, with Smart Downloads, they select the number of songs they would like automatically downloaded by toggling their YouTube Music Settings. This means YouTube Music Premium subscribers with Smart Downloads enabled on their mobile devices can now access hundreds of tracks regardless of connectivity. 

This feature is currently available on Android, with plans to bring it to iOS in the future.

Click here to read more about YouTube Music playlists, and find out what is inside them.

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Make cars, not waste

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Jaguar Land Rover is trialling an innovative recycling process which converts plastic waste into a new premium grade material that could feature on future vehicles. 

It’s estimated that the amount of waste plastic is predicted to exceed 12 million tonnes globally by 2050*. Today, not all of this plastic can be recycled for use in automotive applications – especially in vehicle parts that are required to meet the most exacting safety and quality standards.

Working in conjunction with chemical company, BASF, Jaguar Land Rover is part of a pilot project called ChemCycling that upcycles domestic waste plastic, otherwise destined for landfill or incinerators, into a new high-quality material. 

The waste plastic is transformed to pyrolysis oil using a thermochemical process. This secondary raw material is then fed into BASF’s production chain as a replacement for fossil resources; ultimately producing a new premium grade that replicates the high quality and performance of ‘virgin’ plastics. Importantly, it can be tempered and coloured making it the ideal sustainable solution for designing the next-generation dashboards and exterior-surfaces in Jaguar and Land Rover models.

Jaguar Land Rover and BASF are currently testing the pilot phase material in a Jaguar I-PACE prototype front-end carrier overmoulding to verify it meets the same stringent safety requirements of the existing original part.

Pending the outcome of the trials and progression in taking chemical recycling to market readiness, adoption of the new premium material would mean Jaguar Land Rover could use domestically derived recycled plastic content throughout its cars without any compromise to quality or safety performance**. 

Chris Brown, Senior Sustainability Manager at Jaguar Land Rover, said: “Plastics are vital to car manufacturing and have proven benefits during their use phase, however, plastic waste remains a major global challenge. Solving this issue requires innovation and joined-up thinking between regulators, manufacturers and suppliers.

“At Jaguar Land Rover, we are proactively increasing recycled content in our products, removing single-use plastics across our operations and reducing excess waste across the product lifecycle. The collaboration with BASF is just one way in which we are advancing our commitment to operating in a circular economy.”

This is the latest example of Jaguar Land Rover’s commitment to addressing the challenge of waste plastic. The company has collaborated with Kvadrat to offer customers alternative seat options that are both luxurious and sustainable. The high-quality material, available initially on the Range Rover Velar and Range Rover Evoque, combines a durable wool blend with a technical suedecloth that is made from 53 recycled plastic bottles per vehicle. 

Jaguar Land Rover has already met its 2020 target for Zero Waste to Landfill for UK operations. This includes the removal of 1.3 million m2 – equal to 187 football pitches – of plastic from its manufacturing lineside and replacing 14 million single use plastic items in business operations. 

Together, these efforts are driving towards Jaguar Land Rover’s vision for Destination Zero; an ambition to make societies safer and healthier, and the environment cleaner. Delivered through relentless innovation to adapt its products and services to the rapidly-changing world, the company’s focus is on achieving a future of zero emissions, zero accidents and zero congestion.

Editor’s notes:

https://advances.sciencemag.org/content/3/7/e1700782.full

** All Jaguar and Land Rover vehicles tested have achieved a Euro NCAP 5* rating.

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