This ranking position is in terms of the number of unique ASNs or peering members across the IXP. Andrew Owens, Technical Manager – Interconnection & Peering, Teraco, says that NAPAfrica has 323 members and has truly established itself as the interconnection and content hub for sub-Saharan Africa, connecting to over 350 unique ASN’s servicing 16 countries.
Owens says that the success of an IXP should be measured by its ability to sustainably contribute to the development of the Internet ecosystem within its community: “Several NAPAfrica members claim that as much as 80% of their traffic is peered at the exchange. This significantly lowers transport costs across the southern continent and enables clients to offer a better service at far more competitive prices.”
In 2010, Teraco approached the Internet Service Provider’s Association (ISPA) to suggest moving the Johannesburg Internet Exchange (JINX) and establish the Cape Town Internet Exchange (CINX) at Teraco’s facilities, which was the only neutral data centre available at the time. The proposal was rejected, which led to Lex van Wyk and Andrew Owens building an exchange. This was the start of a great Internet adventure and a steep learning curve for Teraco.
The first significant milestone was reached when Google joined the IXP and started peering its content in 2012. “Later that same year more content providers joined, most notably Akamai and Optinet, and the exchange soared to a new high of 1Gbps of traffic. Members soon realised the very real value of picking up content locally,” says Owens. He says that the exchange has also become more attractive as content players watch the number of users and traffic increase.
By 2016, NAPAfrica exceeded peak daily throughput of 100Gbps; Telkom Openserve announced its decision to peer and the NAPAfrica community was firmly on the map as the largest in Africa. Early 2017 saw NAPAfrica upgrading its infrastructure to a new Arista platform. Owens says this was driven by client demand as they continued to enjoy the growth in Internet traffic across the continent: “100Gbps ports are the new standard and we are upgrading existing clients on a daily basis,” says Owens.
He says that the first client to upgrade to a 100Gbps port was Afrihost and the demand has continued: “The NAPAfrica platform has the hardware, capability and traffic to support this level of investment into Internet infrastructure. Prices have also dropped significantly, down to around 25% of the levels last seen in late 2016, making this an affordable option when upgrading.”
As Southern Africa continues to grow and prove itself to be the African continent’s largest colocation market, larger than the next 20 African markets combined according to Xalam Analytics, the role of an IXP such as NAPAfrica becomes more critical. “Developing Africa’s Internet ecosystem is a primary role of an IXP together with infrastructure providers such as Teraco. In the eight years since the start of NAPAfrica, sub-Saharan Africa has benefited from local and international content from leading providers such as Akamai, Cloudflare, Facebook, Google, Netflix, Microsoft, Amazon, Verizon Digital Media, Limelight and Optinet.”
Because most of the major network operators in Southern Africa peer at NAPAfrica, large amounts of content reach the man on the street. This combination of network and content operators working together, assists in making the end user Internet work.
Achieving a position in the top 15 globally, Owens says; “NAPAfrica will continue to upgrade its infrastructure. The volume of Internet traffic is steadily increasing with Johannesburg reaching 400Gbps, and Cape Town is almost at 100Gbps. We are ready to meet further demand and growth.”
Welcome to world of 2099
The world of 2099 will be unrecognisable from the world of today, but it can be predicted, says one visionary. ARTHUR GOLDSTUCK met him in Singapore.
Futuristic structures tower over the landscape. Giant, alien-looking trees light up with dazzling colours amid the hundreds of plant species that grow up their trunks. Cosmetic stores sell their wares via public touch-screens, with products delivered instantly in drawers below the screens.
This is not a vision of the future. It is a sample of Singapore today. But it is also an inkling of the world we may all experience in the future.
Singapore was the venue, last week, of the World Cities Summit, where engineers, politicians, investors and visionaries rubbed shoulders as they talked about the strategies and policies that would enhance urban living in the future.
As part of the Summit, global payment technologies leader Mastercard hosted a small media briefing by one of Singapore’s leading thinkers about the future, Dr Damian Tan, managing director of Vickers Venture Partners. The company’s slogan “We invest in the extraordinary,” offers a small clue to Tan’s perspective.
“We look as far forward as 2099 because, as a venture capital firm, we invest in the long term,” he tells a group of journalists from Africa and the Middle East. “Companies explode in growth because there is value in the future. If there is no growth, they won’t explode.”
The big question that the Smart Cities Summit and Mastercard are trying to help answer is, what will cities look like in the year 2099? Tan can’t give an exact answer, but he offers a framework that helps one approach the question.
“If you want to look at 81 years into the future, and understand the change that will come, you need to double that amount and look into the past. That takes us to 1856. The difference between then and now is the difference you can expect between now and 2099.”
Click here or on the page link below to read on: Page 2: Soldiers and Health in 2099.
- Arthur Goldstuck is founder of World Wide Worx and editor-in-chief of Gadget.co.za. Follow him on Twitter on @art2gee and on YouTube
Street art goes electric
Kaspersky Lab and British street artist D*Face have unveiled the first-ever “art helmet” design at the Formula E finale for electric cars in New York.
The ‘Save The World’ helmets will be raced by DS Virgin Racing’s drivers, Sam Bird and Alex Lynn, as they traverse the New York street circuit during the final races of the Formula E season.
The announcement signals the first art helmet by a Formula E team, continuing the heritage of art in motorsport and the cybersecurity brand’s commitment to contemporary art, creativity and innovation. D*Face took inspiration from Kaspersky Lab’s tagline, “A Company To Save The World”, and hopes that his colourful work will inspire people to take positive action.
D*Face will announce his first-ever art car design with a custom-made livery for the DS Virgin Racing Team. Its design will be released at the “Art Goes Green” event after Saturday’s race. The helmets and art car are the latest installations in the “Save the World” collection, following a major permanent public mural that was installed in Brooklyn, New York, in May.
D*Face, whose real name is Dean Stockton, said: “It is exciting to work with Kaspersky Lab on this project and create art with a real message of hope for a better future. After all, this is our world and we need to look after it. It will take every one of us to make a real lasting, impactful change. I love the mentality of the DS Virgin Racing Team and that of Formula E by showcasing sport in a way that doesn’t harm the environment, but is still just as exhilarating and fun.
“It is time for us all to stand together and make a change… be that stopping data steals, climate change, plastic waste or using damaging fuels. I want everyone to make a pledge to do one thing that will help make a change.”
As a sponsor of DS Virgin Racing Team, Kaspersky Lab is responsible for protecting the team’s devices against cyber threats. The company sees the technical environment in the global sport of Formula E as the next frontier in furthering its research and development of new technologies to keep vehicles secure in the digital world.
Sylvain Filippi, Managing Director at DS Virgin Racing, said: “The whole team fully supports this great initiative and our thanks got to Kaspersky and D*Face for their collaboration. It’s an honour to have such an innovative artist bring his talents to bear in our team ahead of the season-finale; the car, drivers’ crash helmets and mural all look amazing.”
Aldo Fucelli Pessot del Bo, Head of Global Partnerships and Sponsorships at Kaspersky Lab added: “There is a need for innovation on a global scale, both in contemporary art and in the fast-growing sport of Formula E. Now, for the first time ever, Kaspersky Lab is proudly bringing together the two sectors in an effort to Save the World and unleash creativity, encourage freedom of expression and further innovation.”