Video-on-demand meets video surveillance in a new product released by Keystone Electronic Solutions, a South African electronics research and development company.
Project V, a aimed at providing centrally managed video surveillance, works through either event or alarm triggered video streaming, or via a video-on-demand interface.
The stream-on-trigger video platform is not only able to provide Digital Video Recording (DVR) archiving on a central server, but also at remote sites. Integration with customer systems, such as network management systems, access management systems, trouble ticket management and reporting tools, can be provided through an Application Program Interface (API).
Project V consists of remote site equipment and a central surveillance platform. All user access to the platform is provided through a website.
“As far as we are aware, there are no other products available today that can match this technology,” says John Eigelaar, Director and co-founder of Keystone Electronic Solutions. “We have had a dedicated team work on this project over the past few months and have had a few field trials with select customers. Project V can overcome a number of challenges for our customers – it makes security and surveillance much easier and more effective, and thus creates a huge cost saving.”
Keystone provided the following overview of main features:
- Record keeping:
Certain video triggers can be set up to either start or stop the video recording and streaming.
Real-time streaming makes it possible for security teams to determine how to respond to a security incident. For example, in the event of intruder detection alarm, security teams will be alerted and will be able to see live video streaming. They can then more effectively judge how to respond to the particular event.
The bandwidth can be selected on each on-site unit. Depending on the selected bandwidth, the AV video will either be streamed to the Project V server or recorded locally on the board. In both cases the alarm events will be transmitted across the CnE over the network. Operators can also request AV streams/recording from the web graphical user interface (GUI).
- Audio visual:
The RSM unit is permanently connected to the available IP cameras and will pull available AV streams from the cameras depending on the alarm/event triggered. Streams can be stored locally or be pushed up to the Project V server, for remote recording or viewing of the stream.
- NMS Backhaul:
The video surveillance platform allows for the backhaul of the CnE pipe and the AV streams, either across an Ethernet WAN interface or the onboard 3G GSM modem.
- Camera integration:
The platform integrates with any IP camera. Additionally, any I/O interface that a camera might provide (such as zone or movement triggers) can be integrated with the platform as part of the site security profile.
The platform has been designed to be highly scalable from an interface point of view. The number of I/Os available to the system is easily scaled from a standalone device to a large installation by adding further RSM IO modules.
Welcome to world of 2099
The world of 2099 will be unrecognisable from the world of today, but it can be predicted, says one visionary. ARTHUR GOLDSTUCK met him in Singapore.
Futuristic structures tower over the landscape. Giant, alien-looking trees light up with dazzling colours amid the hundreds of plant species that grow up their trunks. Cosmetic stores sell their wares via public touch-screens, with products delivered instantly in drawers below the screens.
This is not a vision of the future. It is a sample of Singapore today. But it is also an inkling of the world we may all experience in the future.
Singapore was the venue, last week, of the World Cities Summit, where engineers, politicians, investors and visionaries rubbed shoulders as they talked about the strategies and policies that would enhance urban living in the future.
As part of the Summit, global payment technologies leader Mastercard hosted a small media briefing by one of Singapore’s leading thinkers about the future, Dr Damian Tan, managing director of Vickers Venture Partners. The company’s slogan “We invest in the extraordinary,” offers a small clue to Tan’s perspective.
“We look as far forward as 2099 because, as a venture capital firm, we invest in the long term,” he tells a group of journalists from Africa and the Middle East. “Companies explode in growth because there is value in the future. If there is no growth, they won’t explode.”
The big question that the Smart Cities Summit and Mastercard are trying to help answer is, what will cities look like in the year 2099? Tan can’t give an exact answer, but he offers a framework that helps one approach the question.
“If you want to look at 81 years into the future, and understand the change that will come, you need to double that amount and look into the past. That takes us to 1856. The difference between then and now is the difference you can expect between now and 2099.”
Click here or on the page link below to read on: Page 2: Soldiers and Health in 2099.
- Arthur Goldstuck is founder of World Wide Worx and editor-in-chief of Gadget.co.za. Follow him on Twitter on @art2gee and on YouTube
Street art goes electric
Kaspersky Lab and British street artist D*Face have unveiled the first-ever “art helmet” design at the Formula E finale for electric cars in New York.
The ‘Save The World’ helmets will be raced by DS Virgin Racing’s drivers, Sam Bird and Alex Lynn, as they traverse the New York street circuit during the final races of the Formula E season.
The announcement signals the first art helmet by a Formula E team, continuing the heritage of art in motorsport and the cybersecurity brand’s commitment to contemporary art, creativity and innovation. D*Face took inspiration from Kaspersky Lab’s tagline, “A Company To Save The World”, and hopes that his colourful work will inspire people to take positive action.
D*Face will announce his first-ever art car design with a custom-made livery for the DS Virgin Racing Team. Its design will be released at the “Art Goes Green” event after Saturday’s race. The helmets and art car are the latest installations in the “Save the World” collection, following a major permanent public mural that was installed in Brooklyn, New York, in May.
D*Face, whose real name is Dean Stockton, said: “It is exciting to work with Kaspersky Lab on this project and create art with a real message of hope for a better future. After all, this is our world and we need to look after it. It will take every one of us to make a real lasting, impactful change. I love the mentality of the DS Virgin Racing Team and that of Formula E by showcasing sport in a way that doesn’t harm the environment, but is still just as exhilarating and fun.
“It is time for us all to stand together and make a change… be that stopping data steals, climate change, plastic waste or using damaging fuels. I want everyone to make a pledge to do one thing that will help make a change.”
As a sponsor of DS Virgin Racing Team, Kaspersky Lab is responsible for protecting the team’s devices against cyber threats. The company sees the technical environment in the global sport of Formula E as the next frontier in furthering its research and development of new technologies to keep vehicles secure in the digital world.
Sylvain Filippi, Managing Director at DS Virgin Racing, said: “The whole team fully supports this great initiative and our thanks got to Kaspersky and D*Face for their collaboration. It’s an honour to have such an innovative artist bring his talents to bear in our team ahead of the season-finale; the car, drivers’ crash helmets and mural all look amazing.”
Aldo Fucelli Pessot del Bo, Head of Global Partnerships and Sponsorships at Kaspersky Lab added: “There is a need for innovation on a global scale, both in contemporary art and in the fast-growing sport of Formula E. Now, for the first time ever, Kaspersky Lab is proudly bringing together the two sectors in an effort to Save the World and unleash creativity, encourage freedom of expression and further innovation.”