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LG catches the rising curve of OLED

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It’s a decade since the future possibilities of OLED TV first became obvious, and now that future is here, writes ARTHUR GOLDSTUCK.

Around a decade ago, I witnessed a dazzling new future in the making. At the Consumer Electronic Show in Las Vegas in 2007, Sony unveiled the XEL-1, the world’s first TV using Organic Light Emiting Diodes, or OLED. The name is a clue to the technology: because it emits light, OLED doesn’t need a backlight, meaning it can be much thinner than LCD screens which depend on backlight. And, of course, it gives a new meaning to colour.

This display back then was all of 11″, and the price an eye-watering $2,500 – for a device the size of an iPad. But it was the sharpest image I’d ever seen on a screen, and I imagined a future where one would pay a similar price for an OLED screen three or four times the size.

That future is here and, for once, it is bigger and better than we could imagine back then.

There are a few differences, of course. For one, the machine in question is made by LG. For another, it’s curved. And you have to shop around to get it for as little as $2,500. But that, perhaps, has something to do with the fact that it is five times the size of that original 11” display.

LG took the initiative away from Sony some time ago. It became the first TV maker to mass produce large-screen OLED sets in 2014, following up with a second generation last year.

The LG EG9600 may not be the biggest of LG’s third generation of OLED TVs, but it has the most satisfying image quality of any TV I’ve yet tested. It

represents the current state of the TV art, with 4K, or ultra high-definition (UHD) resolution, delivering wonderfully dark blacks and the kind of whites that are usually only promised in washing powder ads.

The result is video quality that is frighteningly real, and almost embarassingly detailed. Sometimes you don’t really want to see every pockmark in a movie star’s face. But that discomfort is easily outweighed by the level of detail that suddenly becomes available. From cityscapes to crowd scenes at sports events, it seems as if new secrets of the world are being revealed.

As if the picture isn’t enough, the machine itself is also dazzling, with its combination of gently curved screen and absurdly thin panel – it’s no thicker than LG’s latest flagship smartphone, the G5, or most other cutting edge smartphones for that matter.

If it’s smartphone functionality one wants, then the EG9600 offers something close, the latest version of LG’s webOS proprietary smart TV operating system. Version 3.0 has an improved user interface and easier navigation, although using the remote control for cursor control remains a clunky exercise. It allows one to navigate through a band of large tabs, and choose from a range of online services, including common or garden web browsing or YouTube viewing. The menu can be personalised if one wishes.

Finally, the speakers were built by Harman/Kardon to complement the visuals. This makes for a rich, near-surround sound that goes some way to living up to LG’s statement that the machine is “geared to creating a state-of-the-art home theatre”.

The price remains the major drawback of the unit. You may be getting five times the screen for only a little more than the price of an 11” a decade ago, but that will still be out of reach for most. However, this equation points to the current high-end coming down rapidly in price, especially as 55” seems to hit a sweet spot between big picture and manageable size for the average room.

Just five years from now, this kind of TV will be the norm. Considering that most people only buy a new TV set every five to ten years, it means that the future for the typical viewer is arriving now.

Apparently, LG agrees.

“We want OLED to be the revolution of light that opens up the future we all want to live in”, said Antonio Dos Santos, national sales manager  at LG Electronics South Africa, at the launch of the new OLED range.

“Without backlight and other auxiliary layers, the OLED display is fundamentally less complicated compared to LCD, and in time less costly to manufacture. I have no doubt, given its advanced features and superior performance, that foldable, wearable, flexible and transparent, OLED is the display technology for the next generation.”

* Arthur Goldstuck is founder of World Wide Worx and editor-in-chief of Gadget.co.za. Follow him on Twitter and Instagram on @art2gee

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Win a Poster Heater with Gadget and Takealot.com

This winter Gadget and Takealot.com are giving away three Poster Heaters, which look like posters but become heaters when you plug them in.

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Three Gadget readers will each win a unit, valued at R550 each. To enter, follow @GadgetZA and @Takealot on Twitter and tell us on the @GadgetZA account how many Watts the heater consumes.

What’s the big deal about these heaters? Many of us are struggling to keep the balance between soaring electricity costs and the need to keep warm this winter.

However, the recently launched Poster Heater by EasyHeat and distributed in South Africa by Takealot.com is not only one of the most cost effective electric heaters currently on the market, it is also easy to setup and use.

As the name indicates, it is a poster similar to one you would hang on a wall. But, plug it in and it turns into a 300 Watt heater. The Poster Heater isn’t designed to heat hallways or large rooms, but rather smaller ones like a bedroom or a baby’s nursery or a dressing room.

It uses radiant heating, which means that it heats up in a couple of minutes and the heat is directed at the objects or people around it, quickly taking the chill out of the air and providing a comfortable ambient temperature.

The other advantage of radiant heating is that it doesn’t dry out the air like infrared or gas heaters. Users also don’t have to worry about their children or pets getting too close to it because, even though it gets hot, it can be touched.

To enter the competition follow the steps below:

Competition entry details:

1. Follow @GadgetZA and @Takealot on Twitter. (We will ONLY be accepting entires via Twitter, so please don’t enter through the comments section of this article.)

2. Tell us on Twitter, via @GadgetZA, mentioning @Takealot in your posting, how many Watts the Poster Heater consumes.

cleardot.gif3. The competition closes on 31 July 2018.

4. Winners will be notified via Twitter on 1 August and Takealot.com will be in touch to organise delivery.

5. The competition is only open to South African residents.

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Deezer to host Hotstix’s Mandela tribute playlist

Deezer is celebrating Nelson Mandela on the centenary of his birthday by hosting a tribute playlist created by music legend Sipho “Hotstix” Mabuse.  

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Mabuse, a legendary figure in African music, first rose to prominence in the 1970s with his band Harari and later developed a name for himself as a solo artist. One of his best known songs was the global hit BurnOut in the 1980s.

The playlist takes the listener on a captivating musical journey through the life of Nelson Mandela.  It was compiled by Mabuse, who consulted with Mandela’s family and friends to ensure that the music would be relevant and accurate. The playlist also features commentary by Mabuse, which was recorded in his Soweto home.  

“I have tried to tell the story of the music that Madiba loved,” says Mabuse. “The Playlist excludes the time in prison obviously, as Madiba would not have had exposure to music in that time.  We have focused on the music we know he loved before and after that period. This recording was really an emotional journey for me, but an incredible opportunity to document these memories.”

The playlist features the music the young Mandela loved, such as The Manhattan Brothers, Solomon Linda, Brenda Fassie and Miriam Makeba.  It includes struggle songs from Chicco, Johnny Clegg, Hugh Masekela and Yvonne Chaka Chaka.  The playlist also includes Mandela by Zahara, one of the younger artists who caught Madiba’s ear.

Mabuse also offers stories of his own songs, such as Shikisha, a song greatly beloved by the former President.

“I was delighted to share my thoughts and hope the listeners enjoyed the musical journey,” says Mabuse. “Madiba did enjoy music immensely and we all have a purpose wherever we are in the world to celebrate culture and to learn from different cultures and music forms and styles.”

This playlist was inspired by the Nelson Mandela 100 campaign, calling on corporates and individuals to act as sources of inspiration and engage in conversation and action.

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