Cell C, Vodacom and MTN have all announced new data offerings designed to increase use of social media and streaming services on their networks.
Cell C has announced that, for the next three months, it will offer all customers free streaming on black, SA’s newest video-on-demand platform. Cell C customers can stream series, movies, music, kids’ entertainment, sport, news, and live TV channels on their mobile devices without being.
“We know the biggest hurdle to gaining access to streaming content is the data component, and so for the next three months, any existing or new black customer that is also on the Cell C network will not have to have data to be able to download or stream their shows,” says Cell C CEO Jose Dos Santos.
Any Cell C customer, whether prepaid or contract, will have access to this promotion, which kicks off on 7 May and will run until Friday, 10 August. There is no opt in required. In other words, browsing the black platform has also been zero rated, so customers looking around to see what is available will also not be charged for data if they are on Cell C. However, clicking through to the betting platform and the ticketing service will be charged according to the customer’s data plan. National data roaming is also not included in this promotion. so black customers that are on other networks will not benefit from the free data promotion.
“Our promise to our customer is the affordability and flexibility to pay what you want; for what you want; however long you want. Go on, sign up for the 7-day free trial, and start binge-ing with black,” says black Chief Executive, Surie Ramasary.
Customers can watch blockbuster movies like Star Wars: The Last Jedi; kids’ animated movie Ferdinand; and the comedy-remake, Jumanji, starring Dwayne Johnson. black series include the multiple award winning show The Fixer, starring Kerry Washington.
With flexible packages from R25 per movie rental or R5 per day for a whole day streaming a football club channel, customers have a range of options.
MTN goes social
MTN has introduced a range of social bundles starting from R1 a day. The bundles give new and existing customers affordable access to four social media platforms, namely WhatsApp, Facebook, YouTube and Twitter.
Customers can use the social bundle data allocation without affecting their regular in-bundle data. The bundles cover daily, weekly and monthly expiry rates, allowing customers to choose bundles best suited for their specific usage needs and their budgets.
“There’s been a marked increase in the consumption of social media and data services, so these social bundles are designed to meet those changing customer needs,” says Jacqui O’Sullivan, Executive for Corporate Affairs: MTN South Africa. “By offering a variety of expiry periods, we put the control in the hands of our customers, so they can choose to buy just for the day or to stay connected for a week or a month.”
Moderate users can stay in touch with family and friends via WhatsApp for as little as R1 per day, while more medium and heavy users can opt for social bundles that retail at R5 and R10.
To give the customer more control over their usage, the social bundles will send notifications confirming bundle purchase, expiry and depletion notifications.
The social bundles are available on the MyMTN app or via USSD.
The table below illustrates the social bundle rates:
Tickets for Vodacom
Meanwhile, Vodacom is introducing a data bundle called “Ticket”, which offers overall usage of a range of apps, through categorised bundles, to Prepaid and Hybrid (Top-up) customers through the Vodacom Just4U platform. Ticket bundles offer up to four times the amount of data compared to standard bundles and are also priced for the best scenario, offering data bundles that are specifically tailored to the usage behaviour of the customer.
“Vodacom Ticket will offer customers a simpler way of accessing data bundles for a range of categories, allowing them to stay within their data budget,” says Nyimpini Mabunda, Vodacom’s Chief Officer: Consumer Business Unit.” Vodacom is continuously looking to deliver value for money offerings to our customers, and Ticket is no different. Our customers can engage in the things they love the most without the fear of spending more than they wanted to. That is what Vodacom’s Ticket bundle is ultimately looking to achieve so watch this space as we continue to evolve the product.“
Vodacom says it has formed partnerships with multiple market-leading streaming and digital apps to ensure that customers receive the best value for their data when posting pictures, watching videos, playing games and listening to music.
The service provides full data access to digital and entertainment content through four Ticket categories:
· Video Ticket (for VuClip Videos, DStv, Netflix, YouTube and Showmax)
· Music Ticket (for Deezer, Apple Music and Joox)
· Social Ticket (for Facebook, Instagram, Pinterest and Twitter)
· Gaming Ticket (for VuClip Games, Vlive Games, SGN and Gamemine)
By partnering with app brands that customers enjoy the most, says Vodacom, it is able to give customers access to what they love, for less, without the limitation of restricted data access to a single pre-assigned app.
For instance, customers looking to binge on the latest series on Netflix, “update their tweeps on their tweleb lifestyles” (Vodacom’s words!) or listen to a hot new track on Deezer, can purchase a Ticket for any of the four available categories via Just4U by dialling *123# from a Vodacom Smartphone. Vodacom’s Ticket bundles enable customers to access platforms such as Pinterest, Instagram, Twitter and Facebook, through a single Social Ticket.
The VPN path to Netflix
In January 2016, Netflix announced that they were expanding their global offerings. In one day, the company simultaneously launched in 130 new countries, bringing the total number of countries with access to the streaming service to 190.
It was an announcement that was met with excitement; it meant that hundreds of countries that weren’t previously able to access any content from the streaming site would now have access. But it came with a catch: due to agreements with content owners, who license titles by region, not all Netflix libraries would be the same. So, while a multitude of countries now had access to the streaming service, content libraries could be extremely limited. For example, when Netflix launched in South Africa in 2016, users in the country only had access to 678 titles — a strong contrast to the then-U.S. library, which had over 5,600.
To get around limited content libraries, users took to using virtual private networks, or VPNs, which enable users to change their IP address to a different location, effectively tricking the streaming service into thinking they’re in a country with more titles. Shortly after the launch date, however, Netflix began clamping down on VPNs, implementing a VPN ban meant to stop users from circumventing the geo-blocks.
Today, two years after Netflix’s global expansion, users are still facing limited content libraries. According to Finder, in June of 2017 — more than a year after Netflix launched in South Africa — the country still didn’t have access to 93 percent of the titles in the United States. To access them, they now also have to get around the Netflix VPN ban, a tricky process that involves figuring out which VPN providers can still get access to the streaming site.
To help simplify the process, TheBestVPN tested 67 VPN providers to see which ones could still access Netflix, two years into the ban. View their findings, as well as an overview of the Netflix VPN ban and the best VPNs for accessing Netflix in 2018, in the full infographic below.
Incredible animation landmark
The Walt Disney Company Africa is pleased to share that, in its sixth week of release, Disney•Pixar’s Incredibles 2 has become the biggest animated film of all time at the South African Box Office, with over R47.4 million and 676k attendances.
Disney releases now account for 4 of the top 10 films of all time at the local Box Office, with 3 coming from 2018 alone, including Marvel Studios’ Black Panther and Avengers: Infinity War in number 1 and 2 positions respectively and Disney•Pixar’s Incredibles 2filling the 8th position. The 2015 release of Lucasfilm’s Star Wars: The Force Awakens currently sits in the 7th position.
Now in cinemas, Disney•Pixar’s Incredibles 2 sees Helen (voice of Holly Hunter) being called upon to lead a campaign to bring Supers back, while Bob (voice of Craig T. Nelson) navigates the day-to-day heroics of “normal” life at home with Violet (voice of Sarah Vowell), Dash (voice of Huck Milner) and baby Jack-Jack—whose superpowers are about to be discovered. Their mission is derailed, however, when a new villain emerges with a brilliant and dangerous plot that threatens everything. But the Parrs don’t shy away from a challenge, especially with Frozone (voice of Samuel L. Jackson) by their side. That’s what makes this family so Incredible. Incredibles 2 is written and directed by Brad Bird (“Iron Giant,” “The Incredibles,” “Ratatouille”) and produced by John Walker (“The Incredibles,” “Tomorrowland”) and Nicole Grindle (“Sanjay’s Super Team” short, “Toy Story 3” associate producer).
Also in cinemas is Marvel Studios’ Ant-Man and The Wasp, a new chapter featuring heroes with the astonishing ability to shrink. In the aftermath of Captain America: Civil War, Scott Lang grapples with the consequences of his choices as both a Super Hero and a father. As he struggles to rebalance his home life with his responsibilities as Ant-Man, he’s confronted by Hope van Dyne and Dr. Hank Pym with an urgent new mission. Scott must once again put on the suit and learn to fight alongside The Wasp as the team works together to uncover secrets from the past. Ant-Man and The Wasp is directed by Peyton Reed and stars Paul Rudd, Evangeline Lilly, Michael Peña, Walton Goggins, Bobby Cannavale, Judy Greer, Tip “T.I.” Harris, David Dastmalchian, Hannah John-Kamen, Abby Ryder Fortson, Randall Park, with Michelle Pfeiffer, with Laurence Fishburne, and Michael Douglas. Kevin Feige and Stephen Broussard are producing, with Louis D’Esposito, Victoria Alonso, Charles Newirth and Stan Lee serving as executive producers. Chris McKenna & Erik Sommers, Paul Rudd & Andrew Barrer & Gabriel Ferrari wrote the screenplay.