Canon South Africa has teamed up with the University of Pretoria’s Department of Genetics in a facial screening project that will assist with the early diagnosis of disorders in South African children.|Canon South Africa has teamed up with the University of Pretoria’s Department of Genetics in a facial screening project that will assist with the early diagnosis of disorders in South African children.
Ten Canon EOS 1200D cameras will be used to build a 3D camera for the university’s Facial Morphology Research Group. The ten cameras will be triggered simultaneously and the images used to build 3D models of faces. These 3D models will be used to identify specific facial features associated with syndromes like Down syndrome, Prader-Willi, Fragile X and Marfan syndrome in infants.
“When we heard about this tremendous, forward thinking project, we were excited to be involved in bringing it to fruition,” says Michelle Janse van Vuuren, Marketing Director at Canon South Africa. “We are pleased to be in a position to sponsor the necessary equipment to facilitate the building of a 3D camera for the facial morphology research project. This initiative has great potential to empower the early diagnoses of syndromes in African children, allowing for timely treatment to be effected and improving prognoses.”
Around 700 disorders have characteristic facial features associated with them. These facial features can play an important role in the initial diagnosis of disorders, but they differ somewhat between different populations. Many of the disorders are more difficult to recognise in African children because so little is known about the specific facial features associated with them in African populations. For example, Down syndrome, which is easily recognised in Western infants, is often difficult to recognise in Black African infants.
This means that they don’t get the lifesaving medical screening and treatment that they need when they require it. Some of these children likely die from associated conditions such as heart defects, even though these conditions could have been treated if their disorder was diagnosed in time.
The research group wants to change that by identifying the facial features associated with a range of disorders in African kids. Once these features have been identified, facial screening tools will be developed to help doctors identify the specific disorders more easily.
“It is clear that we need more research to identify the specific facial features associated with disorders such as Down syndrome in African infants and children,” says Dr Vinet Coetzee, head of the Facial Morphology Research group. “We need accurate facial photographs of children with and without the disorder. 3D images are ideal because they contain information on a range of different dimensions, so we can identify key facial features more accurately. An accurate 3D camera will enable us to precisely capture and identify these facial features.”
With this 3D camera in action, the research group can capture and analyse the specific facial dimensions that differ between those affected and those not affected by disorders. The first project will focus on identifying the features associated with Down syndrome in African children and infants. Once the groundwork has been laid the project will include more researchers and more disorders such as Autism, Mitochondrial disorders, Prader-Willi, Marfan and Fragile X syndrome.
Welcome to world of 2099
The world of 2099 will be unrecognisable from the world of today, but it can be predicted, says one visionary. ARTHUR GOLDSTUCK met him in Singapore.
Futuristic structures tower over the landscape. Giant, alien-looking trees light up with dazzling colours amid the hundreds of plant species that grow up their trunks. Cosmetic stores sell their wares via public touch-screens, with products delivered instantly in drawers below the screens.
This is not a vision of the future. It is a sample of Singapore today. But it is also an inkling of the world we may all experience in the future.
Singapore was the venue, last week, of the World Cities Summit, where engineers, politicians, investors and visionaries rubbed shoulders as they talked about the strategies and policies that would enhance urban living in the future.
As part of the Summit, global payment technologies leader Mastercard hosted a small media briefing by one of Singapore’s leading thinkers about the future, Dr Damian Tan, managing director of Vickers Venture Partners. The company’s slogan “We invest in the extraordinary,” offers a small clue to Tan’s perspective.
“We look as far forward as 2099 because, as a venture capital firm, we invest in the long term,” he tells a group of journalists from Africa and the Middle East. “Companies explode in growth because there is value in the future. If there is no growth, they won’t explode.”
The big question that the Smart Cities Summit and Mastercard are trying to help answer is, what will cities look like in the year 2099? Tan can’t give an exact answer, but he offers a framework that helps one approach the question.
“If you want to look at 81 years into the future, and understand the change that will come, you need to double that amount and look into the past. That takes us to 1856. The difference between then and now is the difference you can expect between now and 2099.”
Click here or on the page link below to read on: Page 2: Soldiers and Health in 2099.
- Arthur Goldstuck is founder of World Wide Worx and editor-in-chief of Gadget.co.za. Follow him on Twitter on @art2gee and on YouTube
Street art goes electric
Kaspersky Lab and British street artist D*Face have unveiled the first-ever “art helmet” design at the Formula E finale for electric cars in New York.
The ‘Save The World’ helmets will be raced by DS Virgin Racing’s drivers, Sam Bird and Alex Lynn, as they traverse the New York street circuit during the final races of the Formula E season.
The announcement signals the first art helmet by a Formula E team, continuing the heritage of art in motorsport and the cybersecurity brand’s commitment to contemporary art, creativity and innovation. D*Face took inspiration from Kaspersky Lab’s tagline, “A Company To Save The World”, and hopes that his colourful work will inspire people to take positive action.
D*Face will announce his first-ever art car design with a custom-made livery for the DS Virgin Racing Team. Its design will be released at the “Art Goes Green” event after Saturday’s race. The helmets and art car are the latest installations in the “Save the World” collection, following a major permanent public mural that was installed in Brooklyn, New York, in May.
D*Face, whose real name is Dean Stockton, said: “It is exciting to work with Kaspersky Lab on this project and create art with a real message of hope for a better future. After all, this is our world and we need to look after it. It will take every one of us to make a real lasting, impactful change. I love the mentality of the DS Virgin Racing Team and that of Formula E by showcasing sport in a way that doesn’t harm the environment, but is still just as exhilarating and fun.
“It is time for us all to stand together and make a change… be that stopping data steals, climate change, plastic waste or using damaging fuels. I want everyone to make a pledge to do one thing that will help make a change.”
As a sponsor of DS Virgin Racing Team, Kaspersky Lab is responsible for protecting the team’s devices against cyber threats. The company sees the technical environment in the global sport of Formula E as the next frontier in furthering its research and development of new technologies to keep vehicles secure in the digital world.
Sylvain Filippi, Managing Director at DS Virgin Racing, said: “The whole team fully supports this great initiative and our thanks got to Kaspersky and D*Face for their collaboration. It’s an honour to have such an innovative artist bring his talents to bear in our team ahead of the season-finale; the car, drivers’ crash helmets and mural all look amazing.”
Aldo Fucelli Pessot del Bo, Head of Global Partnerships and Sponsorships at Kaspersky Lab added: “There is a need for innovation on a global scale, both in contemporary art and in the fast-growing sport of Formula E. Now, for the first time ever, Kaspersky Lab is proudly bringing together the two sectors in an effort to Save the World and unleash creativity, encourage freedom of expression and further innovation.”