Apple’s first launch event of the year brings an affordable iPad to the education market, writes BRYAN TURNER.
Apple chose Lane Tech High School in Chicago for its first launch event of the year last week, underlining the fact that it is paying special attention to the needs of schools.
It was Apple’s first education-centric event in six years and second education event ever, with technologies focused on enriching the education experience of teachers and students.
The highlight of the event, the unveiling of the new iPad, marks the sixth generation of the iPad range. The new iPad features the A10 fusion chip, which boasts 40% faster graphics performance over the previous model. This iPad is the first Apple device not to require an Apple ID sign-in on setup, which is useful for schools that will be sharing iPads. Aesthetically, this iPad is no different to the previous generation of iPad, but includes a key selling point: the support of the Apple Pencil, which was previously reserved for the high-end iPad Pro devices. This will enable students to write on the screen while resting their palm, or even their other hand, on the screen while writing or drawing.
The Apple Pencil’s starting price is US$100 (R2000 from iStore South Africa), which may drive consumers away from the benefits of the new iPad. Logitech has partnered with Apple to release a stylus that is half the price (US$50) and only lacks the pressure sensitivity feature of the iPad. The price differentiation is useful for those who don’t require the iPad for making art. The Logitech Crayon is the first Apple-approved third-party stylus.
Apple was once the leader in education technology in the USA, but Google has since claimed the schools with its budget-friendly line of Chromebooks for education. Chromebooks can be leased by students for a much lower price than Apple iPads, which has resulted in Chromebooks being used by 60% of US classrooms as opposed to Apple’s current 17% education market share.
This education event comes a day after Acer and Google’s announcement of the first ever Chrome OS tablet.
Apple also released a wide range of new education-focused features and applications to help teachers demonstrate learning concepts. The company is pushing for the adoption of augmented reality in the education space.
“Instead of dissecting frogs [in real life], students can dissect frogs with the Apple Pencil [on the iPad app],” says Apple executive Greg Joswiak. The iWork productivity suite, which includes Microsoft Word, Excel and PowerPoint alternatives, is free to anyone with an Apple ID, which is free to create.
Pages, the Word alternative, now offers a space for teachers to markup papers handed in with the Apple Pencil. Numbers, the Excel alternative, allows students to write in cells with the Apple Pencil.
Apple’s ClassKit API can now be implemented by app developers to allow teachers to track progress and scores of exercises and assessments performed in those apps in the Schoolwork app. Schoolwork is a central dashboard, which allows teachers to place PDF handouts and bookmarks to ebooks and, more importantly, to assign “apps for homework”. The app allows tracking of task completion, the accuracy of answers produced in the task and the time it took the student to do the task. Apple also announced Classroom, a classroom management system, which allows teachers to track what their students are doing on their iPads in class, in real time. It also allows for universal control over students’ iPads, with features like universal locking of apps, silencing of audio and opening of apps, universally.
Welcome to world of 2099
The world of 2099 will be unrecognisable from the world of today, but it can be predicted, says one visionary. ARTHUR GOLDSTUCK met him in Singapore.
Futuristic structures tower over the landscape. Giant, alien-looking trees light up with dazzling colours amid the hundreds of plant species that grow up their trunks. Cosmetic stores sell their wares via public touch-screens, with products delivered instantly in drawers below the screens.
This is not a vision of the future. It is a sample of Singapore today. But it is also an inkling of the world we may all experience in the future.
Singapore was the venue, last week, of the World Cities Summit, where engineers, politicians, investors and visionaries rubbed shoulders as they talked about the strategies and policies that would enhance urban living in the future.
As part of the Summit, global payment technologies leader Mastercard hosted a small media briefing by one of Singapore’s leading thinkers about the future, Dr Damian Tan, managing director of Vickers Venture Partners. The company’s slogan “We invest in the extraordinary,” offers a small clue to Tan’s perspective.
“We look as far forward as 2099 because, as a venture capital firm, we invest in the long term,” he tells a group of journalists from Africa and the Middle East. “Companies explode in growth because there is value in the future. If there is no growth, they won’t explode.”
The big question that the Smart Cities Summit and Mastercard are trying to help answer is, what will cities look like in the year 2099? Tan can’t give an exact answer, but he offers a framework that helps one approach the question.
“If you want to look at 81 years into the future, and understand the change that will come, you need to double that amount and look into the past. That takes us to 1856. The difference between then and now is the difference you can expect between now and 2099.”
Click here or on the page link below to read on: Page 2: Soldiers and Health in 2099.
- Arthur Goldstuck is founder of World Wide Worx and editor-in-chief of Gadget.co.za. Follow him on Twitter on @art2gee and on YouTube
Street art goes electric
Kaspersky Lab and British street artist D*Face have unveiled the first-ever “art helmet” design at the Formula E finale for electric cars in New York.
The ‘Save The World’ helmets will be raced by DS Virgin Racing’s drivers, Sam Bird and Alex Lynn, as they traverse the New York street circuit during the final races of the Formula E season.
The announcement signals the first art helmet by a Formula E team, continuing the heritage of art in motorsport and the cybersecurity brand’s commitment to contemporary art, creativity and innovation. D*Face took inspiration from Kaspersky Lab’s tagline, “A Company To Save The World”, and hopes that his colourful work will inspire people to take positive action.
D*Face will announce his first-ever art car design with a custom-made livery for the DS Virgin Racing Team. Its design will be released at the “Art Goes Green” event after Saturday’s race. The helmets and art car are the latest installations in the “Save the World” collection, following a major permanent public mural that was installed in Brooklyn, New York, in May.
D*Face, whose real name is Dean Stockton, said: “It is exciting to work with Kaspersky Lab on this project and create art with a real message of hope for a better future. After all, this is our world and we need to look after it. It will take every one of us to make a real lasting, impactful change. I love the mentality of the DS Virgin Racing Team and that of Formula E by showcasing sport in a way that doesn’t harm the environment, but is still just as exhilarating and fun.
“It is time for us all to stand together and make a change… be that stopping data steals, climate change, plastic waste or using damaging fuels. I want everyone to make a pledge to do one thing that will help make a change.”
As a sponsor of DS Virgin Racing Team, Kaspersky Lab is responsible for protecting the team’s devices against cyber threats. The company sees the technical environment in the global sport of Formula E as the next frontier in furthering its research and development of new technologies to keep vehicles secure in the digital world.
Sylvain Filippi, Managing Director at DS Virgin Racing, said: “The whole team fully supports this great initiative and our thanks got to Kaspersky and D*Face for their collaboration. It’s an honour to have such an innovative artist bring his talents to bear in our team ahead of the season-finale; the car, drivers’ crash helmets and mural all look amazing.”
Aldo Fucelli Pessot del Bo, Head of Global Partnerships and Sponsorships at Kaspersky Lab added: “There is a need for innovation on a global scale, both in contemporary art and in the fast-growing sport of Formula E. Now, for the first time ever, Kaspersky Lab is proudly bringing together the two sectors in an effort to Save the World and unleash creativity, encourage freedom of expression and further innovation.”