From 19 August to 3 September the Fak’ugesi African Digital Innovation Festival is back in Johannesburg to explore and celebrate technology and creativity by Africans for Africa. |From 19 August to 3 September the Fak’ugesi African Digital Innovation Festival is back in Johannesburg to explore and celebrate technology and creativity by Africans for Africa.
The 2016 festival has cast its central theme as ‘Afro Tech Riot’ as community, femininity, notions of the spiritual, and exploring African knowledge systems in the creative, innovative and technological space come to life in an unmissable calendar of events.
The Tshimologong Precinct, previously Inc nightclub, is located at 47 Juta Street in Braamfontein and extends half the city block along Juta Street and between Station and Henri Streets. It will be transformed into an energetic techno-sphere for two weeks of playing, making, shifting, and sharing through seminars, talks, exhibitions, game arcades, workshops, performances, innovation riots, installations, tech demos, pitches, parties and future sounds. All events are open for public particpation and are aimed at all levels of experience, from ‘just interested’ to professional developers. Keep your eye out for the full program on www.fakugesi.co.za by the end of July.
Now in its third successful year, Fak’ugesi was originally founded by Prof Christo Doherty and Tegan Bristow from Wits Digital Arts, together with Prof Barry Dwolatzky from the Joburg Centre for Software Engineering (JCSE). From the isiZulu term meaning “add power” or “put on the electricity”, Fak’ugesi acts as a platform that brings together diverse digital and technology sectors to collaborate and share skills in digital media and technology innovation.
In the spirit of celebrating African technology and innovation through creativity, and supporting the festival in its project to develop Johannesburg’s ICT capacity, the primary sponsor for Fak’ugesi 2016 is the City of Johannesburg. The festival’s annual partners also include the JCSE, Wits University, the British Council’s ConnectZA and InnovationZA and the Goethe Institut, together with new partners Pro Helvetia Johannesburg and the Innovation Hub.
2016 Festival Director, Tegan Bristow, says that The Tshimologong Precinct, which has been under construction for the last year and a half, will officially launch with this year’s Fak’ugesi Festival with what promises to an outstanding line up geared towards bringing tech innovation to people in a fun, accessible and playful way.
In 2016, annual favourites return to the festival, including:
Fak’ugesi Digital Africa Residency, in which artists and creative technologists work together to better understand and explore contemporary technology from a creative perspective. In 2016 the Fak’ugesi Digital Africa Residency is supported by and is being produced in collaboration with Pro Helvetia Johannesburg. Visitors can attend exhibitions and workshops with artists.
Agile Africa Conference, the software developer’s conference organised by the JCSE. Developers, testers, project managers and line managers participate in three days of sessions focused on the challenges of software development in Africa. The conference will run from 22 to 24 August.
Members of the South African Maker Collective together with the ConnectZA lead Market Hack, to present playful activities around electronics, digital making and general Saturday fun on the 27 August alongside the weekly Neigbourgoods Market in Braamfontein.
A MAZE Johannesburg, a festival in its own right focusing on both local and international indie gaming and playful media will take place from 31 August to 3 September. Visitors can look forward to talks and workshops, as well as playing in the A MAZE Arcade.
Soweto Pop Up, started in 2015 in collaboration between A MAZE Johannesburg and Maker Library Network (ConnectZA), this is a day-long festival pop–up that aims to bring digital making and playful media to locations outside of Braamfontein.
In addition to annual favourites, the following will be key events in this year’s brand new and exciting program:
ALIGHT, led by Between10and5 and Create Africa in partnership with the French Insitut and ConnectZA this street event is a spectacular showing of light art, light sculpture, architectural light installation and light based interactive games.
Future Sounds, in this project Berlin based artists and technologists, The Constitute, (hosted by Goethe Insitut Johannesburg) will collaborate with Johannesburg based Create Africa in a project that will bring together SA’s hip-hop and electronic music artists, local filmmakers lead by Lebo Rasethaba and technologists. The outcome of the collaboration will be performed live at the festivals ALIGHT party.
Smart City Day, a day focusing specifically on Johannesburg and the city’s drive towards better ICT and will feature the 2016 Hack Jozi finalists, the School Project in collaboration with Wits Digital Arts and much more.
Geekulcha Maker Library Pop Up, is the ConnectZA Maker Library grant recipient for 2016 and will be ‘occupying’ the festival for its full length to bring a series of fun, interesting and playful tech related workshops and events. Their full programme will include everything from learning about 3D to making holograms and even space walking.
Fak’ugesi Festival Talks, a fun and informative talk series featuring the Fak’ugesi Residents and projects, with nights curated by special guests such as Bubblegum Club and more. The series is designed to speak directly to the 2016 festival themes; community, the feminine, and spirituality in technology in Africa.
Along with these key events, the Fak’ugesi African Digital Innovation Festival will be packed with smaller events, workshops and engagements aimed at people, young and old, and at all levels of expertise. The festival invites everyone to claim their territory in the digital innovation movement, and bring together creativity and technology by Africans for Africa.
Prepare your cam to capture the Blood Moon
On 27 July 2018, South Africans can witness a total lunar eclipse, as the earth’s shadow completely covers the moon.
Also known as a blood or red moon, a total lunar eclipse is the most dramatic of all lunar eclipses and presents an exciting photographic opportunity for any aspiring photographer or would-be astronomers.
“A lunar eclipse is a rare cosmic sight. For centuries these events have inspired wonder, interest and sometimes fear amongst observers. Of course, if you are lucky to be around when one occurs, you would want to capture it all on camera,” says Dana Eitzen, Corporate and Marketing Communications Executive at Canon South Africa.
Canon ambassador and acclaimed landscape photographer David Noton has provided his top tips to keep in mind when photographing this occasion. In South Africa, the eclipse will be visible from about 19h14 on Friday, 27 July until 01h28 on the Saturday morning. The lunar eclipse will see the light from the sun blocked by the earth as it passes in front of the moon. The moon will turn red because of an effect known as Rayleigh Scattering, where bands of green and violet light become filtered through the atmosphere.
A partial eclipse will begin at 20h24 when the moon will start to turn red. The total eclipse begins at about 21h30 when the moon is completely red. The eclipse reaches its maximum at 22h21 when the moon is closest to the centre of the shadow.
David Noton advises:
- Download the right apps to be in-the-know
The sun’s position in the sky at any given time of day varies massively with latitude and season. That is not the case with the moon as its passage through the heavens is governed by its complex elliptical orbit of the earth. That orbit results in monthly, rather than seasonal variations, as the moon moves through its lunar cycle. The result is big differences in the timing of its appearance and its trajectory through the sky. Luckily, we no longer need to rely on weight tables to consult the behaviour of the moon, we can simply download an app on to our phone. The Photographer’s Ephemeris is useful for giving moonrise and moonset times, bearings and phases; while the Photopills app gives comprehensive information on the position of the moon in our sky. Armed with these two apps, I’m planning to shoot the Blood Moon rising in Dorset, England. I’m aiming to capture the moon within the first fifteen minutes of moonrise so I can catch it low in the sky and juxtapose it against an object on the horizon line for scale – this could be as simple as a tree on a hill.
- Invest in a lens with optimal zoom
On the 27th July, one of the key challenges we’ll face is shooting the moon large in the frame so we can see every crater on the asteroid pockmarked surface. It’s a task normally reserved for astronomers with super powerful telescopes, but if you’ve got a long telephoto lens on a full frame DSLR with around 600 mm of focal length, it can be done, depending on the composition. I will be using the Canon EOS 5D Mark IV with an EF 200-400mm f/4L IS USM Ext. 1.4 x lens.
- Use a tripod to capture the intimate details
As you frame up your shot, one thing will become immediately apparent; lunar tracking is incredibly challenging as the moon moves through the sky surprisingly quickly. As you’ll be using a long lens for this shoot, it’s important to invest in a sturdy tripod to help capture the best possible image. Although it will be tempting to take the shot by hand, it’s important to remember that your subject is over 384,000km away from you and even with a high shutter speed, the slightest of movements will become exaggerated.
- Integrate the moon into your landscape
Whilst images of the moon large in the frame can be beautifully detailed, they are essentially astronomical in their appeal. Personally, I’m far more drawn to using the lunar allure as an element in my landscapes, or using the moonlight as a light source. The latter is difficult, as the amount of light the moon reflects is tiny, whilst the lunar surface is so bright by comparison. Up to now, night photography meant long, long exposures but with cameras such as the Canon EOS-1D X Mark II and the Canon EOS 5D Mark IV now capable of astonishing low light performance, a whole new nocturnal world of opportunities has been opened to photographers.
- Master the shutter speed for your subject
The most evocative and genuine use of the moon in landscape portraits results from situations when the light on the moon balances with the twilight in the surrounding sky. Such images have a subtle appeal, mood and believability. By definition, any scene incorporating a medium or wide-angle view is going to render the moon as a tiny pin prick of light, but its presence will still be felt. Our eyes naturally gravitate to it, however insignificant it may seem. Of course, the issue of shutter speed is always there; too slow an exposure and all we’ll see is an unsightly lunar streak, even with a wide-angle lens.
On a clear night, mastering the shutter speed of your camera is integral to capturing the moon – exposing at 1/250 sec @ f8 ISO 100 (depending on focal length) is what you’ll need to stop the motion from blurring and if you are to get the technique right, with the high quality of cameras such as the Canon EOS 5DS R, you might even be able to see the twelve cameras that were left up there by NASA in the 60’s!
How Africa can embrace AI
Currently, no African country is among the top 10 countries expected to benefit most from AI and automation. But, the continent has the potential to catch up with the rest of world if we act fast, says ZOAIB HOOSEN, Microsoft Managing Director.
To play catch up, we must take advantage of our best and most powerful resource – our human capital. According to a report by the World Economic Forum (WEF), more than 60 percent of the population in sub-Saharan Africa is under the age of 25.
These are the people who are poised to create a future where humans and AI can work together for the good of society. In fact, the most recent WEF Global Shapers survey found that almost 80 percent of youth believe technology like AI is creating jobs rather than destroying them.
Staying ahead of the trends to stay employed
AI developments are expected to impact existing jobs, as AI can replicate certain activities at greater speed and scale. In some areas, AI could learn faster than humans, if not yet as deeply.
According to Gartner, while AI will improve the productivity of many jobs and create millions more new positions, it could impact many others. The simpler and less creative the job, the earlier, a bot for example, could replace it.
It’s important to stay ahead of the trends and find opportunities to expand our knowledge and skills while learning how to work more closely and symbiotically with technology.
Another global study by Accenture, found that the adoption of AI will create several new job categories requiring important and yet surprising skills. These include trainers, who are tasked with teaching AI systems how to perform; explainers, who bridge the gap between technologist and business leader; and sustainers, who ensure that AI systems are operating as designed.
It’s clear that successfully integrating human intelligence with AI, so they co-exist in a two-way learning relationship, will become more critical than ever.
Combining STEM with the arts
Young people have a leg up on those already in the working world because they can easily develop the necessary skills for these new roles. It’s therefore essential that our education system constantly evolves to equip youth with the right skills and way of thinking to be successful in jobs that may not even exist yet.
As the division of tasks between man and machine changes, we must re-evaluate the type of knowledge and skills imparted to future generations.
For example, technical skills will be required to design and implement AI systems, but interpersonal skills, creativity and emotional intelligence will also become crucial in giving humans an advantage over machines.
“At one level, AI will require that even more people specialise in digital skills and data science. But skilling-up for an AI-powered world involves more than science, technology, engineering and math. As computers behave more like humans, the social sciences and humanities will become even more important. Languages, art, history, economics, ethics, philosophy, psychology and human development courses can teach critical, philosophical and ethics-based skills that will be instrumental in the development and management of AI solutions.” This is according to Microsoft president, Brad Smith, and EVP of AI and research, Harry Shum, who recently authored the book “The Future Computed”, which primarily deals with AI and its role in society.
Interestingly, institutions like Stanford University are already implementing this forward-thinking approach. The university offers a programme called CS+X, which integrates its computer science degree with humanities degrees, resulting in a Bachelor of Arts and Science qualification.
Revisiting laws and regulation
For this type of evolution to happen, the onus is on policy makers to revisit current laws and even bring in new regulations. Policy makers need to identify the groups most at risk of losing their jobs and create strategies to reintegrate them into the economy.
Simultaneously, though AI could be hugely beneficial in areas such as curbing poor access to healthcare and improving diagnoses for example, physicians may avoid using this technology for fear of malpractice. To avoid this, we need regulation that closes the gap between the pace of technological change and that of regulatory response. It will also become essential to develop a code of ethics for this new ecosystem.
Preparing for the future
With the recent convergence of a transformative set of technologies, economies are entering a period in which AI has the potential overcome physical limitations and open up new sources of value and growth.
To avoid missing out on this opportunity, policy makers and business leaders must prepare for, and work toward, a future with AI. We must do so not with the idea that AI is simply another productivity enhancer. Rather, we must see AI as the tool that can transform our thinking about how growth is created.
It comes down to a choice of our people and economies being part of the technological disruption, or being left behind.