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3D printing: What would Da Vinci say?

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When relatively new technology receives the endorsement of a megastar such as Black Eyed Peas will.i.am, its popularity skyrockets and suddenly the application possibilities seem endless.

Appointed recently as the chief creative officer of a global 3D printing company, will.i.am has set about taking 3D printing beyond the limited reach of staunch tech enthusiasts. His aim is to promote a simple-to-operate 3D printer that would reduce material waste by using recycled materials. This effort to promote sustainable living and highlight the environmental impact of manufacturing is only the tip of an iceberg that is both mind-blowingly large and infinitely useful.

 

 

“3D printing has been around for some time. However, consumers have recently begun to become more engaged in the 3D printing value chain,” says Simon Bromfield, Channel Manager at Adobe Systems Sub-Saharan Africa. “When most people talk about 3D printing, the focus is on the printers. But what will ultimately drive the growth of the consumer 3D printing market is the availability of content that is compelling to consumers.”

3D printing or additive manufacturing is being developed and adapted to spread its influence across a number of sectors and processes. 2014 has seen a number of significant breakthroughs in the use of this technology. Swedish supercar manufacturer, Koenigsegg recently unveiled the One:1, a supercar that utilises many components that were 3D printed. This year, 3D printing has begun to be used in production versions of spaceflight hardware. Healthcare advances have also been profound: scientists are using 3D printing and living tissue to produce ears, kidneys and livers.

But one of the most rapidly evolving applications of 3D printing is taking place in the creative space. Sculptors, modelers, artists, concept designers, illustrators and even jewellers and architects are embracing the potential of 3D printing to create complex objects that could not be made in other ways.

“A big part of what influences the value of content has to do with colour. Much of the content created today is monochrome, but with the right software, creative and designers have the control and flexibility to add colour, polish and texture to transform a 3D object into something meaningful and vibrant,” says Bromfield.

Designer Francis Bitonti, well known in design circles for a 3D printed gown that he created for fashion icon Dita von Teese, sees computational methodologies, smart materials and interactive environments as an opportunity to create new aesthetic languages for the creative industry.

“My design process is a collaboration with artificial intelligence,” says Bitoni. “We are transposing these ideas from design methodologies to tangible consumer experiences.”

In order for creatives to produce inspirational pieces, many of them are working with software that is developed specifically for the production of physical output.

Tobias Klein, architect and creator of The Garden of Earthly Delights, an art piece orientated on the work of Hieronymous Bosch and featured at the 3D Print Show London 2014, explains its use in practice: “We use Photoshop CC distinctively at the front end in its capability to quickly generate artwork and colour schemes for the later application onto the models. This helps us considerably to communicate the design in a fast and effective way as we can export the painted models between various platforms.”

“3D printing has opened up a creative pathway that is fantastical, boundless and alive with possibilities,” says Bromfield. “The production of high quality full colour content is already changing high-end jewellery, sculptures, household goods, fashion and architecture. Technologically advanced software can turn visionary design ideas into tangible reality.”

 

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Bring your network with you

At last week’s Critical Communications World, Motorola unveiled the LXN 500 LTE Ultra Portable Network Infrastructure. It allows rescue personal to set up dedicated LTE networks for communication in an emergency, writes SEAN BACHER.

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In the event of an emergency, communications are absolutely critical, but the availability of public phone networks are limited due to weather conditions or congestion.

Motorola realised that this caused a problem when trying to get rescue personnel to those in need and so developed its LXN 500 LTE Ultra Portable Network Infrastructure. The product is the smallest and lightest full powered broadband network to date and allows the first person on the scene to set up an LTE network in a matter of minutes, allowing other rescue team members to communicate with each other.

“The LXN 500 weighs six kilograms and comes in a backpack with two batteries. It offers a range of 1km and allows up to 100 connections at the same time. However, in many situations the disaster area may span more than 1km which is why they can be connected to each other in a mesh formation,” says Tunde Williams, Head of Field and Solutions Marketing EMEA, Motorola Solutions.

The LXN 500 solution offers communication through two-way radios, and includes mapping, messaging, push-to-talk, video and imaging features onboard, thus eliminating the need for any additional hardware.

Data collected on the device can then be sent through to a central control room where an operator can deploy additional rescue personnel where needed. Once video is streamed into the control room, realtime analytics and augmented reality can be applied to it to help predict where future problem points may arise. Video images and other multimedia can also be made available for rescuers on the ground.

“Although the LXN 500 was designed for the seamless communications between on ground rescue teams and their respective control rooms, it has made its way into the police force and in places where there is little or no cellular signal such as oil rigs,” says Williams.

He gave a hostage scenario: “In the event of a hostage situation, it is important for the police to relay information in realtime to ensure no one is hurt. However the perpetrators often use their mobile phones to try and foil any rescue attempts. Should the police have the correct partnerships in place they are able to disable cellular towers in the vicinity, preventing any in or outgoing calls on a public network and allowing the police get their job done quickly and more effectively.”

By disabling any public networks in the area, police are also able to eliminate any cellular detonated bombs from going off but still stay in touch with each other he says.

The LXN 500 offers a wide range of mission critical cases and is sure to transform communications and improve safety for first responders and the people they are trying to protect.

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Kaspersky moves to Switzerland

As part of its Global Transparency Initiative, Kaspersky Lab is adapting its infrastructure to move a number of core processes from Russia to Switzerland.

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This includes customer data storage and processing for most regions, as well as software assembly, including threat detection updates. To ensure full transparency and integrity, Kaspersky Lab is arranging for this activity to be supervised by an independent third party, also based in Switzerland.

Global transparency and collaboration for an ultra-connected world

The Global Transparency Initiative, announced in October 2017, reflects Kaspersky Lab’s ongoing commitment to assuring the integrity and trustworthiness of its products. The new measures are the next steps in the development of the initiative, but they also reflect the company’s commitment to working with others to address the growing challenges of industry fragmentation and a breakdown of trust. Trust is essential in cybersecurity, and Kaspersky Lab understands that trust is not a given; it must be repeatedly earned through transparency and accountability.

The new measures comprise the move of data storage and processing for a number of regions, the relocation of software assembly and the opening of the first Transparency Center.

Relocation of customer data storage and processing

By the end of 2019, Kaspersky Lab will have established a data center in Zurich and in this facility, will store and process all information for users in Europe, North America, Singapore, Australia, Japan and South Korea, with more countries to follow. This information is shared voluntarily by users with the Kaspersky Security Network (KSN) an advanced, cloud-based system that automatically processes cyberthreat-related data.

Relocation of software assembly

Kaspersky Lab will relocate to Zurich its ‘software build conveyer’ — a set of programming tools used to assemble ready to use software out of source code. Before the end of 2018, Kaspersky Lab products and threat detection rule databases (AV databases) will start to be assembled and signed with a digital signature in Switzerland, before being distributed to the endpoints of customers worldwide. The relocation will ensure that all newly assembled software can be verified by an independent organisation and show that software builds and updates received by customers match the source code provided for audit.

Establishment of the first Transparency Center

The source code of Kaspersky Lab products and software updates will be available for review by responsible stakeholders in a dedicated Transparency Center that will also be hosted in Switzerland and is expected to open this year. This approach will further show that generation after generation of Kaspersky Lab products were built and used for one purpose only: protecting the company’s customers from cyberthreats.

Independent supervision and review

Kaspersky Lab is arranging for the data storage and processing, software assembly, and source code to be independently supervised by a third party qualified to conduct technical software reviews. Since transparency and trust are becoming universal requirements across the cybersecurity industry, Kaspersky Lab supports the creation of a new, non-profit organisation to take on this responsibility, not just for the company, but for other partners and members who wish to join.

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